Wole Soyinka Quotes
Quotes to Explore
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I was doing community theater since I was about nine.
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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I discovered the theater when I was in the first grade.
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I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
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I went to the Experimental Theater Wing at NYU and wrote and directed a small amount of stuff there.
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I started in theatre. I went to the Boston Conservatory and majored in musical theater.
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It's one of the functions of the theater to shock and titillate and appall, apart from entertain and delight.
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I would love to do a live show with dancers and fashion and scenic elements - definitely bring my love of the theater to a concert-style performance.
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There's always something more to be accomplished with a character. Theater is a human experience. There's nothing shellacked or finished off about it. I guess that's why it always draws me back.
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Up until I started on YouTube, my first love was musical theater.
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I love doing theater. That's where my home is.
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I'd love to do theater. I've done so many plays in my life. I still think of that as my main thing.
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I started a theater called Steppenwolf. We've been very supportive of the veterans there.
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I had all the normal interests - I played basketball and I headed the school paper. But I also developed very early a great love for music and literature and the theater.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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I went to my school careers counselors and said I wanted to be an actor, and they didn't know what to do. They showed me catalogues with pretty campuses and said, 'Oh, look, there's a theater building. Why don't you go there?'
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I like to originate new roles and characters for musical theater.
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Mankind may be divided into playgoers and not playgoers.
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If ever I feel I might be able to tackle it, I'd love to try holding a spear or something in the theater, or opening a door, or anything, just to try it, you know, because it must be some marvelous magic thing.
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One of the blessings of maturity is that it sometimes brings one greater courage to be truthful, regardless of what those who do not understand may think or say.
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The creative process is not like a situation where you get struck by a single lightning bolt. You have ongoing discoveries, and there's ongoing creative revelations. Yes, it's really helpful to be marching toward a specific destination, but, along the way, you must allow yourself room for your ideas to blossom, take root, and grow.
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It is emphatically the case that life could not arise spontaneously in a primeval soup from its kind.
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There's something about the theater which makes my fingertips tingle.
