Winona Ryder Quotes
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There's a scene in the 1990 film Welcome Home, Roxy Carmichael in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
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If I showed you scripts from my first few movies, the descriptions of my characters all said 'the ugly girl'.
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It's just people should realize that the celebrity aspect of being an actor is very rarely enjoyable for people like me who would always rather go unnoticed and disappear into the crowd.
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In the '80s, I loved the movies of the '70s. Also I remember loving Klute 1971. I loved Jane Fonda. Actually, I auditioned for the last movie she made before she retired for a while, Stanley and Iris 1990, which Martha Plimpton got.
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My problems seemed so glamorous to other people, and everyone just thought I was so lucky. But then, I was lucky because my family was really there for me. I think I just felt like I really wanted to hold on to who I was as a person, and try to have as much of a normal life as I could.
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Sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.
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The older you get, the more yourself you can be and the less worried you are about what other people think.
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It would be great if teenagers could make movies. It's sad how some writers think they can write about stuff they don't understand.
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The fact that I got into acting at all was kind of fluke-ish. I loved movies, but I can't remember ever really wanting to be an actress, and I certainly didn't imagine ever being in a movie. I think I wanted to be a writer.
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Somehow I was invited to visit with Audrey Hepburn. I had this afternoon with her, and she gave me a couple things. She was so gracious and everything you would think that she would be.
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It’s equally as important to me to be a good friend, and a good sister, and a good daughter. I’m very close with my family and friends.
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I often get offered things that are so similar to things that I have done, and life is too short. When you make a film or a show, as you get older, that's a lot of time to be doing something that you're not absolutely invested in or in love with.
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I don't believe I am influencing anybody but myself.
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If you're a musician, you can practice your guitar every day and write songs, but when you're an actor, you can't just like burst into a monologue. Your only exercise is when you're in prep or you're working.
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I think it's really important to have a life outside of this movie business and just be the best person you can be.
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What's great is my parents aren't stuck in the '60s. My dad is so into the culture of today.
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Looking back - I did have a lot of success and a lot of great opportunities earlier in my career.
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When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird 1962, Gigi 1958, A Woman Under the Influence 1974. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase.
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I was so lucky that I got to meet certain people. It came through Roddy McDowall, who had become a photographer and would do these portraits of celebrities. Then he would get another well-known person to write a thing. He photographed me when I was 15 or 16, and he got Jason Robards to write the thing because he was sort of my mentor. And Roddy would invite me to these dinner parties that were insane. Like, Elizabeth Taylor and Maureen O'Hara and people that were just crazy. I still can't really believe that I met them.
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I was not the first choice for Veronica in Heathers. I auditioned and they were like, "Oh, thanks." And I went to the Beverly Center to Macy's and had them do a makeover on me. I went back because I kind of knew that they thought I wasn't pretty enough. They were trying to get Jennifer Connelly.
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You try to get out there and live. I've always had good friends who've been very supportive and help make me feel good and grounded because I've never felt attached to the film industry.
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I'm a really private person. I just love my work. I feel like celebrity has changed so much, in this culture. Ever since they started with those reality shows and people that aren't actors but they're really famous, it's gotten very different from when I started out. So, the idea of ever becoming more than what I had is not really what I want.
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There are actors I know personally, or I've heard them say, "The less known about me, the better, because I just want people to think of me as the character." I think Matt Damon said that recently. He has a point and I think I get that.
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I think it's really important to have a life and have interests outside of this movie business, and not rely on this business to validate you as a human being. If you do that, you're really in a dangerous spot.