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I was never strategic really, but back when I was starting out no one cared. In the acting community, box office didn't matter. I really think it was a mistake when they started paying people like $20 million to do a movie because now it's all people think about. Is she worth it? Is he worth it?
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A lot of filmmakers and actors say, "It's so important to bring an authenticity to the role," blah, blah, blah. But then it's interesting because you're also trying to be somebody else, and viewers are going to associate you with that, so I don't think it really has an answer.
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I've loved making movies. I feel like I've been so lucky because I've gotten to be in movies that are some of my favorites, regardless of my being in them - like Heathers.
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Dear Diary: My teen angst bullshit now has a body count.
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That first movie I did, Lucas 1986, was probably the closest to me. And Beetlejuice a little bit, in the sense that I did look like that. All they did was like put a little white powder here.
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My problems seemed so glamorous to other people, and everyone just thought I was so lucky. But then, I was lucky because my family was really there for me. I think I just felt like I really wanted to hold on to who I was as a person, and try to have as much of a normal life as I could.
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I'm quite comfortable looking at myself in movies, probably because I've been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.
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I don't believe I am influencing anybody but myself.
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Bette Davis in All About Eve was huge for me. Her acting was staggering.
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Focus should be on the art of film, not on the business of film.
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I was very lucky because Tim Burton really gave me a career. I don't think Hollywood would've known what to do with me. If I hadn't done 'Beetlejuice,' I think I would've just gone back to my school.
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There's a scene in the 1990 film Welcome Home, Roxy Carmichael in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
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You have good days and bad days, and depression's something that, you know, is always with you.
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In high school, I dressed up as every James Bond girl. I was a teenage Pussy Galore.
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Even though I never really had to pound the pavement as an actor, I always worked really hard. But, at the same time, I always felt like people thought that I didn't have to struggle even though I was struggling.
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Sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.
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My parents are awesome, but they're pretty left-wing.
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My father believes that Western religions are death cults, which I agree with.
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Certainly with The Crucible, what I love is that every role in that is so crucial.But there's something almost comic. I remember there's that line where she says, "I am 18 and a woman, however single," which killed me every time!
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The older you get, the more yourself you can be and the less worried you are about what other people think.
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I was mid-sentence when the casting director said, "Listen, kid. You should not be an actress. You are not pretty enough. You should go back to wherever you came from and you should go to school. You don't have it." She was very blunt - I honestly think that she thought she was doing me a favor.
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You go through spells where you feel that maybe you're too sensitive for this world. I certainly felt that.
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Most of my wardrobe is vintage, and I've worn dresses to the Oscars that I got for $10.
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I love photography and first editions. I have that in my genes. My father was an archivist.