Winona Ryder Quotes
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Suddenly you're the mom, or you go from ... You're not an ingénue, you don't want to play an ingénue, but it's like that line in The First Wives Club 1996: "There are only three ages for women in Hollywood: babe, district attorney, and Driving Miss Daisy.
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That first movie I did, Lucas 1986, was probably the closest to me. And Beetlejuice a little bit, in the sense that I did look like that. All they did was like put a little white powder here.
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You try to get out there and live. I've always had good friends who've been very supportive and help make me feel good and grounded because I've never felt attached to the film industry.
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I've read the Bible. I think the Bible's a great book, but it's a novel. It's beautifully written and la-di-da, but people really took it the wrong way.
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I will say, though, that San Francisco is a very friendly city. It's the kind of place where people smile at you and you can strike up conversations on the street, so there's always an adjustment when I come back to New York. If I smile at someone on the street in New York, then they think there's something up - like, "Why is she smiling?"
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I have this sense that I didn't really start growing up until my twenties.
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I don't believe I am influencing anybody but myself.
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I was very lucky because Tim Burton really gave me a career. I don't think Hollywood would've known what to do with me. If I hadn't done 'Beetlejuice,' I think I would've just gone back to my school.
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A lot of filmmakers and actors say, "It's so important to bring an authenticity to the role," blah, blah, blah. But then it's interesting because you're also trying to be somebody else, and viewers are going to associate you with that, so I don't think it really has an answer.
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I was never strategic really, but back when I was starting out no one cared. In the acting community, box office didn't matter. I really think it was a mistake when they started paying people like $20 million to do a movie because now it's all people think about. Is she worth it? Is he worth it?
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Certainly with The Crucible, what I love is that every role in that is so crucial.But there's something almost comic. I remember there's that line where she says, "I am 18 and a woman, however single," which killed me every time!
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I was mid-sentence when the casting director said, "Listen, kid. You should not be an actress. You are not pretty enough. You should go back to wherever you came from and you should go to school. You don't have it." She was very blunt - I honestly think that she thought she was doing me a favor.
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You can't pay enough money to... cure that feeling of being broken and confused.
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I'm quite comfortable looking at myself in movies, probably because I've been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.
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Bette Davis in All About Eve was huge for me. Her acting was staggering.
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My problems seemed so glamorous to other people, and everyone just thought I was so lucky. But then, I was lucky because my family was really there for me. I think I just felt like I really wanted to hold on to who I was as a person, and try to have as much of a normal life as I could.
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You have good days and bad days, and depression's something that, you know, is always with you.
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The older you get, the more yourself you can be and the less worried you are about what other people think.
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Life's short, so if you're going to spend months doing something, it's gotta be pretty special... But I'm very happy to enter my Baby Jane years, and hopefully segue into the Ruth Gordon years.
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My father believes that Western religions are death cults, which I agree with.
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There's a scene in the 1990 film Welcome Home, Roxy Carmichael in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
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Focus should be on the art of film, not on the business of film.
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I was so lucky that I got to meet certain people. It came through Roddy McDowall, who had become a photographer and would do these portraits of celebrities. Then he would get another well-known person to write a thing. He photographed me when I was 15 or 16, and he got Jason Robards to write the thing because he was sort of my mentor. And Roddy would invite me to these dinner parties that were insane. Like, Elizabeth Taylor and Maureen O'Hara and people that were just crazy. I still can't really believe that I met them.
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I love photography and first editions. I have that in my genes. My father was an archivist.