Nilo Cruz Quotes
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
Quotes to Explore
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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Nobody deserves this much money - certainly not an actor.
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Peter Sellers was just a brilliant actor, and also comedic.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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I'm an actor.
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Nowadays, you can be a fan of someone that's not an actor or artist. You can be a fan of someone that makes YouTube videos.
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I've grown so much, not just as an actor, but as a human being.
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I'm not saying that Sam J. Jones was Flash Gordon - there's no such thing. No actor can be the person, that's a bunch of crap. People pay to see an actor be himself, whether he plays Hamlet or whatever.
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I know that I am one and I've made a living as an actor and I enjoy being an actor, but when I'm not actually doing it, I forget that I do it.
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Just about every actor wants to be a Disney cartoon voice at some point.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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You can always tell an actor by the bored look in their eye whenever someone else is talking.
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You need a director, a script, and a role to justify a risk.
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It's natural for any actor that segues into directing to be an actor's director. You know how to relate to the actors.
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Every actor wants more offers, but I get enough and I do like to be busy.
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The idea was always to be an actor.
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I need to thank my director, producers, and artists as well crew members of all my projects.
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Every actor has to love and loathe the character he plays.
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I wouldn't want to be just pigeonholed as an extravagant director.
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And once you cease to be a real person, you stop being a good actor.
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Our biggest cost is not power, or servers, or people. It's lack of utilization. It dominates all other costs.
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The teens are emotionally unstable and pathic. It is a natural impulse to experience hot and perfervid psychic states, and it is characterized by emotionalism. We see here the instability and fluctuations now so characteristic. The emotions develop by contrast and reaction into the opposite.
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Books are delightful society. If you go into a room and find it full of books - even without taking them from the shelves they seem to speak to you, to bid you welcome.
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Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
