Nilo Cruz Quotes
Theater is about interpretation and what an actor and what a director brings to a piece too. I'm open to it every time I work with a director and a group of actors. I have to be open to that interpretation. I'm not one of those hysterical playwrights that come and say, "This is not what I intended to do." It's one rendition of the piece.
Quotes to Explore
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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I got to work with legendary director Garry Marshall.
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I was doing community theater since I was about nine.
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I've found that musical theater is my passion.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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I've grown so much, not just as an actor, but as a human being.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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I know that I am one and I've made a living as an actor and I enjoy being an actor, but when I'm not actually doing it, I forget that I do it.
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It's one of the functions of the theater to shock and titillate and appall, apart from entertain and delight.
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I'm no actor, and I've got 64 pictures to prove it.
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That was me under the bath and the water being held down. The director wanted it to look as real as possible so he told Keanu, in front of me, don't go easy on her. So it was scary.
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Musical types tend to combine the burden of the author with the burden of the actor.
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The pilots I did test for, I was the only black actor testing against white actors for parts that were written white.
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I kind of knew it wasn't going to be until my 30s that I really hit my stride as an actor.
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As an actor you're used to being the focus of attention.
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I love to act. And oh-so-love telling stories through film as an actor. Even on my 'days off.'
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Interviews are good if you want to be an actor because they raise your profile.
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I hate the actor and audience business. An author should be in among the crowd, kicking their shins or cheering them on to some mischief or merriment.
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We have seen the extent of the desecration and destruction of the facilities of the finest institution in the country.
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So plain that no one, high or low, ever does mistake it, except in a plainly selfish way; for although volume upon volume is written to prove slavery a very good thing, we never hear of the man who wishes to take the good of it, by being a slave himself.
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Do not suppose that abuses are eliminated by destroying the object which is abused. Men can go wrong with wine and women. Shall we then prohibit and abolish women? The sun, the moon, and the stars have been worshiped. Shall we then pluck them out of the sky? ...see how much he God has been able to accomplish through me, though I did no more than pray and preach. The Word did it all. Had I wished I might have started a conflagration at Worms. But while I sat still and drank beer with Philip and Amsdorf, God dealt the papacy a mighty blow.
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Theater is about interpretation and what an actor and what a director brings to a piece too. I'm open to it every time I work with a director and a group of actors. I have to be open to that interpretation. I'm not one of those hysterical playwrights that come and say, "This is not what I intended to do." It's one rendition of the piece.
