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Actually, when I was in elementary school, I saw a saxophone. A band came to my school, and I saw this guy get up and play this solo. And I said, 'Oh man, what is that! That must be fantastic!'
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Jazz is the only music in which the same note can be played night after night but differently each time.
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I mean, if you decided to go out today and get you an instrument and do whatever it is that you do, no one can tell you how you're going to do it but when you do it.
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Most of my relationships have been like that - with record companies. I've never had a legitimate business relationship with a company. I've always had a personal relationship with someone in the company.
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That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
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I'm having this conversation with you now. I'm talking, but I'm thinking, feeling, smelling, and moving. Yet I'm concentrating on what you're saying. So that means there's more things going on in the body than just the present thing that the person's got you doing.
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If you decide you want to be treated good, and you treat someone else good, or you want to learn something, it's information. It's getting the right, good information.
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I wasn't so interested in being paid. I wanted to be heard. That's why I'm broke.
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I think that those elements - light and sound - are beyond democratic. They're into the creative part of life.
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I've been playing with Blackwell over 20 years. We used to play when I first went to Los Angeles. Blackwell plays the drums as if he's playing a wind instrument. Actually, he sounds more like a talking drum.
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The only thing my mother would say about my music-I'd say, 'Mom, listen to this,' and she'd say, 'Junior, I know who you are.'