Ornette Coleman Quotes
I'm having this conversation with you now. I'm talking, but I'm thinking, feeling, smelling, and moving. Yet I'm concentrating on what you're saying. So that means there's more things going on in the body than just the present thing that the person's got you doing.
Quotes to Explore
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For most people, it is enough for the world to know that they aspire. The world does not ask what their aspirations are, trusting that those aspirations are for the best and greatest things. But with regard to the Negroes in America, there is a feeling that their aspirations in some way are not consistent with the great ideals.
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If you are a girl dressing up in the morning thinking about the whole world having a point of view on what you are wearing, it takes the pleasure out of getting dressed.
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For me, acting is becoming naked in front of people, you know? And when you know in the back of your mind somebody is testing you, you cannot really bare yourself. That's a feeling I always have when I'm auditioning.
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I've never been all that interested or aware of what people are thinking about me or saying about me. I think that has kept me safest and sanest.
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For Christmas 1999, my husband surprised me with a trip to Disney World. Along with our boys, we were standing on the roof of the Contemporary Hotel at midnight on New Year's Eve 2000 watching fireworks explode over every amusement park in Orlando. It was a magical way to celebrate the millennial, and a never-to-be-forgotten Christmas present.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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You need people around you that care about you and are thinking about you in your best interest. And keep your mind straight.
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Little moments can have a feeling and a texture that is very real.
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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My short game's not that good. It just becomes a matter of getting that weight moving.
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'Tryin' to Get the Feeling' has been a revelation. I'd forgotten how powerful that was. I'd forgotten how deep I can crawl into that one, and maybe because I'm older it means even more.
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Narrativity presumes a special taste for plot. And this taste for plot was always very present in the Anglo-Saxon countries and that explains their high quality of detective novels.
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America's present need is not heroics but healing; not nostrums but normalcy; not revolution but restoration.
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I'm just the second Bodhi. I think there will be more. I have the feeling this is only the first re-imagination of 'Point Break'.
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I am a Justin Bieber fan, but I am also so fascinated by how weird pop music can be and how manipulated it can be, so I enjoy thinking about that side of it too. I feel bad for him. I could never imagine growing up that way.
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It is natural for us, as human beings, to look forward. Our eyes naturally look ahead. In this sense, we are made for moving toward a goal.
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I spend 90 percent of my time saying no, and my accountant yells at me for it, but when I started in this business, I wanted my career to have legs.
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I keep thinking, we teach children to use language to solve their disputes. We teach them not to hit and fight and bite. Then look what adults do!
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I was a mixture of a country boy and a town boy, really. Chichester is a town on the coast of England, and I grew up all along that strip of coast that Chichester branches out into. Sometimes I was living in a house in the country, and sometimes I was living in a town.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Adversity makes men, and prosperity makes monsters.
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I could tell it was a popular move as a writer to walk down the bass lines while you were writing a song.
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It's hard to know exactly what it sounds like to me. I'm in the studio and I write it. and that's it.
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I'm having this conversation with you now. I'm talking, but I'm thinking, feeling, smelling, and moving. Yet I'm concentrating on what you're saying. So that means there's more things going on in the body than just the present thing that the person's got you doing.
