Adam Mansbach Quotes
While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.

Quotes to Explore
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Folks have to pin me down because, for one thing, I don't have a laptop. I don't have an iPhone, and I refuse to carry them because they're immensely hackable.
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
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After I was 70, I realized that, 'Okay, I would like to have another 50 years, and I probably could.' But part of me is saying, 'Maybe I'm not going to have that much time.'
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I never really fit in growing up. I got made fun of a lot of the time in high school. People never liked me, and I was always the new kid.
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It was deeply important for me to understand where Mandela came from. Because we know where he was going, and that's a famous story, but who was he? Where did he come from? What was his upbringing?
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I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
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I was a fan of One Direction when I was 16, but I was also a fan of Bring Me The Horizon and hardcore bands.
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It's dangerous to read the Internet about yourself when you're me. Or when you're anyone in the public eye.
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Young kids should be doing music that has shock value. They'll grow out of it.
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This is a way for artists to communicate directly to their fans. If you think of an artist like Bruno Mars, he's using Spotify, creating playlists and listening to music through it.
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I think I need to accept the fact that I am where I am today because fans have shared my music illegally and legally, but I wouldn't be here today without the Internet, so I can't speak out against it.
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I've always supported myself. I like the sense of knowing exactly where I stand financially, but there is a side of me that longs for a knight in shining armor.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I can be more cold than people would like me to be.
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I don't like giving up hits and stuff, but I try not to show it. I don't want the hitter to see that something bothers me.
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The opera is to music what a bawdy house is to a cathedral.
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When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
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I want to make sure that I make music that lasts. I've been experimenting. I've been writing.
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The kind of music I like depends very much on my mood.
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I don't know who said that novelists read the novels of others only to figure out how they are written. I believe it's true. We aren't satisfied with the secrets exposed on the surface of the page: we turn the book around to find the seams.
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My father-in-law just happens to be a global procurement guru. Now retired, he was the global head of procurement for some of the biggest companies in the world as well as our very own treasury.
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Agriculture has deep roots both in my life and in Arkansas' history.
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While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.