Adam Mansbach Quotes
Writing novels is largely about endurance and patience. I take a lot of breaks, hit walls, and go do something else while I think things through. But I do it every day, and I try to treat it as a job, something that is not dictated by whimsy or muses.
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I don't think anyone feels older. You have this infinity inside you that feels like it could go on forever.
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As a team, we have a lot of work ahead of us in FY16 and beyond, but I am confident that, working together, we will make Microsoft a leader in the mobile-first, cloud-first world.
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We have the world to live in on the condition that we will take good care of it. And to take good care of it, we have to know it. And to know it and to be willing to take care of it, we have to love it.
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I tend to have a pattern of playing misunderstood characters.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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I firmly believe that any man's finest hour, the greatest fulfillment of all that he holds dear, is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle - victorious.
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You know, I endeavor to be more like my older brother. He's very magnetic. He's actually very much like 'Castle' in that people are attracted to him, and just want to be near him. You want to know where my brother is in a crowded room? He's the guy with the crowd around him.
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I actually like to sing on 'Rock Band.' I prefer to take the mic.
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Well, you know, I've had a very checkered career.
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The U.S. should worry about the effects of its polices on the rest of the world. We would like to live in a world where countries take into account the effect of their policies on other countries and do what is right, broadly, rather than what is just right given the circumstances of that country.
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The starting point of all achievement is desire.
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I had a reporter ask me what it was like to have my best years over so soon. It stayed with me.
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Oh my God, Betty White is actually everything that you would expect her to be like.
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I was under the false impression that I could sing in high school, so I did a lot of musical stuff. I can't sing or dance, so that was entertaining for everyone.
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R. Kelly is a thing on TV, but nobody knows Robert and what he's been through.
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I was an omnivore at reading, so that everything I ever read contributed.
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I like the idea of growing old gracefully and full of wrinkles... like Audrey Hepburn.
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The Jacques Cousteau shows actually got me very excited about the fact that there's an alien world here on Earth.
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Fear is the major cargo that American writers must stow away when the writing life calls them into carefully chosen ranks.
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My wife Cecily Adams was dying of cancer, my daughter Madeline was struggling to overcome an autism diagnosis, and my father was dying, all at the same time. Writing the journal was a cathartic experience, and an extremely positive one.
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In America there's a tendency to write the same book over and over because that's what sells. So in a way, my success in America has come at the expense of what I do. I haven't sold out, and I haven't taken the popular road to writing a best-selling book. I've really bucked the system. So it was necessary for me not to go and find the easy fans, the ones who want something digestible and fast with a happy ending that they can read over and over again no matter how many different books it is. I had to find fans who really wanted to think. Worldwide they all have that in common.
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Even though I resigned as Papandreou's adviser early in 2006 and turned into his government's staunchest critic during his mishandling of the post-2009 Greek implosion, my public interventions in the debate on Greece and Europe have carried no whiff of Marxism.
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Writing novels is largely about endurance and patience. I take a lot of breaks, hit walls, and go do something else while I think things through. But I do it every day, and I try to treat it as a job, something that is not dictated by whimsy or muses.
