Adam Mansbach Quotes
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The goal has been not to get pigeonholed. I like working in different genres. I'm gonna try to be entertaining and funny and do my usual thing.
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When we talk about communities, we seldom discuss the margins. But for every person nestled comfortably in the bosom of a community, there is someone else on the outskirts, feeling ambivalent. Ambiguous. Excluded. Unwilling or unable to come more fully into the fold.
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I would like to think that I curse expertly - it's not something that I do without considering it. I never curse without intending to; it's not something I resort to because of inability to articulate or find the correct word.
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The genius of vinyl is that it allows - commands! - us to put our fingerprints all over that history: to blend and chop and reconfigure it, mock and muse upon it, backspin and skip through it.
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In theory, parents are supposed to empathize with one other - find common cause in the fervent desire to preserve and protect the world for the next generation, and connect on some deep, almost mystical level that those poor souls who have not experienced this kind of all-consuming love cannot possibly comprehend.
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I've always been really involved in figuring out who my audience is and how to reach them.
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Ultimately, very few people parent their kids in ways that strike anybody else as reasoned, appropriate or sane.
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When it comes right down to it, developing a critical sensibility about parenting isn't really about disapproval; it's about honing your own sensibilities, figuring out how you want to parent.
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My mother is really the person I learned to curse from. She discourages me from saying that in interviews. But it's true.
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Look closely, and you can see where the grooves of a record widen, indicating a sparseness that can only be a bass solo, or grow denser to accommodate a cresting density of sound.
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As a writer, I've always been somebody who's been productive and hustled hard.
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Novels are pirated all the time, but it's hard to imagine that you're at work and you open up the attachment that your brother sent you and it's the new Phillip Roth novel.
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You know you're a hopeless record nerd when your time travel fantasies always come around to how cool it would be to go back to 1973 and buy all the great funk and jazz and salsa records that came out that year on tiny obscure labels and are now really rare and expensive.
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Writing novels is largely about endurance and patience. I take a lot of breaks, hit walls, and go do something else while I think things through. But I do it every day, and I try to treat it as a job, something that is not dictated by whimsy or muses.
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'The Pushcart War' is presented as a history of a conflict that has not yet taken place; in each edition of the book, the date on which the hostilities commenced is nudged forward.
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The city fought a $300 million, 18-year war on graffiti. New York Mayor John Lindsay declared war in 1972, and the battle for the transit system came later.
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For many families, gift-giving is a major source of stress - the relentless commercialism, the whining demands, the financial pressure.
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My approach is to treat writing very much as a job.
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Of course, the opposite of white privilege is not blackness, as many of us seemed to think then; the opposite of white privilege is working to dismantle that privilege. But my particular hip-hop generation proved to be very serious about figuring it all out and staying engaged.