Abigail Washburn Quotes
I've moved around so much my whole life, and I've gotten so used to being the Other in situations - the foreigner, the outsider. The first time I've ever felt like there was no separation between me and the other elements was in music.
Quotes to Explore
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I feel like if I live the Christian life, then the people should be able to see it in my everyday actions.
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I guess, for better or for worse, I am an American composer, and I've had a wonderful life being exactly that.
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Music is all about leadership and there ain't really a lot of leaders.
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The political world is a dark place. If you want to portray it accurately, authentically, you've got to turn out the lights from time to time.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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After I was assaulted in Egypt, I learned fear. I've just never been so scared in my life. I've never been so close to death.
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The congressmen and senators used to go have a drink in D.C. They would disagree all day long, but they would find that time to sit down and learn about each other personally. I think that's totally wiped out; I don't think it really exists anymore.
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I think one's history and past is important at a certain time in your life, especially as an artist, just to try to hone in on that.
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Godot is whatever it is in life that you are waiting for: 'I'm waiting to win the lottery. I'm waiting to fall in love'. For me, as a child, it was Christmas. At least that eventually came.
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I usually have 10 different animation projects going at a time.
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You gotta have life your way. If you ain't losing your mind, you ain't partying right.
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The variety of genes on the planet in viruses exceeds, or is likely to exceed, that in all of the rest of life combined.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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No government, no organisation, no citizen can afford to be less than vigilant in combating bigotry, intolerance and hatred. And frankly, our way of life depends on that vigilance.
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I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
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Every time I write a song my approach changes.
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I like things to have rules, I like order and I like schedules.
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Realization is experienced by making the Lord the motive of all actions.
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In a world where people are equal, I feel it's important to have strong male characters, counterparts. Equality is important. It's about compatibility and compassion. And it's amazing.
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I've moved around so much my whole life, and I've gotten so used to being the Other in situations - the foreigner, the outsider. The first time I've ever felt like there was no separation between me and the other elements was in music.
