Abigail Washburn Quotes
In some ways, in the U.S. we don't know how to be. I think in a lot of ways America is about liberation and about change and progressive human relations. And because of that, I feel like that we're confused about who we're supposed to be and what it is that's supposed to satisfy us and make us feel fulfilled.
Quotes to Explore
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In my district, the ports of Long Beach and Los Angeles handle approximately 44 percent of all of the goods delivered to American shores, yet they are in constant need of revenue for facilities, improvements and upgrades to roads and bridges and rails.
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Wanted: a man who will not lose his individuality in a crowd, a man who has the courage of his convictions, who is not afraid to say 'No,' though all the world say 'Yes.'
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When companies get big, they slow down. They're not as exciting. If you want to get something done, it takes a lot of time and a lot of meetings.
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If you can achieve winning a league championship, that, to me, is the full test of the team and management because it is over the full season and you have a lot of problems you have to overcome.
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When I wake up on a Sunday morning with a slight hangover, in the gym with no makeup on, that's who Natalie Dormer really is. The girl next door who gets a spot on her forehead occasionally.
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In Bollywood, if you work with a superstar, even if you are a newcomer, you become a superstar. That didn't happen with me.
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Non-democratic regimes always need to mobilize their people against external enemies in order to maintain internal stability.
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All of my relationships have happened organically with people who are super cool and in my life and it just moved into a relationship zone.
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I prefer to believe it's my responsibility if a film of mine works or doesn't work.
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The taps with the bat on the spikes are one for my grandmother, one for my grandfather, one for my little sister. Then the one on the helmet is showing faith in God that I can do it.
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The craft Emmys are kind of the kids' table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.
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I was deposed by a coup d'etat, by friends that I trusted and aided by the American Government.
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The studio didn't ask them to learn their trade, they just worked them, and when that personality or that gimmick or whatever they had ran dry at the box office, they were dropped and out.
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The '80s made up for all the abuse I took during the '70s. I outlived all my critics. By the time I retired, everybody saw me as a venerable institution. Things do change.
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That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
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I think I'm as good if not better than everyone else.
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I've always fought as a heavyweight, and I didn't see any reason to fight at a lighter weight.
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An Editor becomes kind of your mother. You expect love and encouragement from an Editor.
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I listen to every type of music there is, and I also have a little girl, so I listen to ultra-fun Disney stars' music as well.
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I definitely look up to Veronica Roth, Suzanne Collins, and J.K. Rowling.
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I've gotten to play some pretty intense characters and I tend to think it's therapeutic for me.
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I had arrived years ago in Paris and just wanted to be famous, fast. When you're pretentious like that, and you think you've planned everything perfectly, it's then that everything goes in the opposite way.
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In some ways, in the U.S. we don't know how to be. I think in a lot of ways America is about liberation and about change and progressive human relations. And because of that, I feel like that we're confused about who we're supposed to be and what it is that's supposed to satisfy us and make us feel fulfilled.
