Wang Jianwei Quotes
There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
Quotes to Explore
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It makes no difference who or what you are, old or young, black or white, pagan, Jew, or Christian, I want to love you all and be loved by you all, and I mean to have your love.
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I am Amaxon Corazon Junia Principia Delgado the Third, and I bent over my meal and wept luxurious tears into my green banana porridge. It was a perfect decoction, and it now would not satisfy me.
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The regime is afraid of the people because it knows that free and fair elections will bring about its end.
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Since the dawn of recorded music, every generation has felt shocked by the musical tastes of the next.
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There's a time that may come in an organization where leading by influence is not enough. When things are not going the way they need to go, there's a time when one has to step up... to set the organization back on the right direction.
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Never, and I mean never, allow anyone else's ideas of who you can or can't become sully your dream or pollute your imagination. This is your territory, and a 'Keep Out' sign is a great thing to erect at all entrances to your imagination.
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For me, with music, there is no half-stepping. This is my calling.
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Starting in the 1970s, American cars started to lose market share to foreign cars. It was clear what was happening - these better-made foreign car companies were encroaching on the U.S., and the U.S. car makers had less than half of their own country's market.
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I was an early user of AOL – so early, I didn't even have a number after my user name. For me, email was once vital, both for personal and business uses.
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There's a lot of judgement that can come from outside sometimes, and there's media scrutiny that is placed on a lot of women in the public eye, and I just couldn't care less. I really couldn't care less.
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The arrogance of age must submit to be taught by youth.
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I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other. And living on the border between Mexico and the U.S. for so many years gave me a lot of insight into that.
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I like to improvise.
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Pilates is great.
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R. Kelly is an image, a brand. That's my job. There's a whole other side of me that's Robert, who is a father, a friend. But then I put on the game face and go into the studio and do the music. That's just another day at the office.
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I realized I had a novel on my hands, but didn't know where it was going to go. So I thought, 'I'm going to do everything that you're not supposed to do when you plan a novel; I'm going to step back and let this thing take itself wherever it wants to go, and I'm not going to worry about how things connect until later on.'
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I don't feel drawn to lightness, I need something more. I feel that - oh, I hate saying this, it sounds so wanky - but I feel a real urge to give voices to people we don't usually hear from in real life.
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The driving force for the Arabs is hatred of Israel. Hatred of the Jewish people.
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At work people are expected to be at the beck and call of employers all the time. You have blackberries and other things, and they just don't leave you alone. People have less time just to drop into an art gallery.
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Wellington Webb was one of the most significant mayors of the latter half of the 20th century. His natural political instincts are almost unrivaled.
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This field is not necessarily glamorous, nor does it often produce immediate results, but it seeks to increase our basic understanding of living processes.
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Understanding a question is half an answer.
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There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
