William Krisel Quotes
Quotes to Explore
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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That term, 'David and Goliath,' has entered our language as a metaphor for improbable victories by some weak party over someone far stronger.
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When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?
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In our gliding experiments we had had a number of experiences in which we had landed upon one wing, but the crushing of the wing had absorbed the shock, so that we were not uneasy about the motor in case of a landing of that kind.
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I want to do horror and action, and I'm only being slightly facetious.
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It's the irrational things that interest me.
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'Independents' - the industry term for companies that have more capital and know-how than the typical 'wildcatter' - can grow either by exploring and finding reserves or by buying a company that already has them.
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There are other writers who try for subtle and minimalists effects, but I don't travel in that tribe.
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Atheism is nothing more than the noises reasonable people make when in the presence of religious dogma.
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If people don't have a job, they're not too interested in how you intend for them to have a job. They want to see results.
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My one issue in this country is to get on a firm financial footing. There's not much you can do if you're bankrupt.
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My education was very tough.
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The gremlins are clearly the ones have the most fun in the film, trashing the town, going to the bar, smashing things, etc. It's all gleeful chaos, which makes the movie fun.
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Everybody has to look after their own economy and follow the rules.
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As a child, I was always drawn to heroic characters. I decided I wanted to act when I realised that Superman and all those gangsters and Indians were just real people in costume.
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When I was at Brown, I wanted to write the great American novel, but I was too scared to take a creative course. I signed up for one, got in, and just didn't have the courage to go. I was a tremendously shy person, almost pathologically shy. The thought of peers critiquing my work - oh, God.
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But I had a very traditional background as well. My parents are neat people.
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It's interesting to try to imagine how early humans discovered what was edible and what wasn't. Who figured out that when you cooked stinging nettles, the sting would go away completely? How many people had to die before the relative toxicity of wild mushrooms became widely known?
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The junk-bond era has also spawned something that calls itself New Historicism. This seems to be a refuge for English majors without critical talent or broad learning in history or political science. ... To practice it, you must apparently lack all historical sense.
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I think that sometimes in theater, I don't prepare much beyond going to the rehearsals.
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I have no conscience at all -- least of all an artistic conscience. All I have is nerves.
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In the dream life, you don't deliberately set out to dream about a house night after night; the dream itself insists you look at whatever is trying to come into visibility.
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I was in seventh grade, and getting a part in Full House was huge. It opened so many doors for me.
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A house is more than just a shelter; that it is a way of improving your way of life.
