William Faulkner Quotes
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Your illusions are a part of you like your bones and flesh and memory.
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I listen to the voices.
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A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.
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I never promise a woman anything nor let her know what I'm going to give her. That's the only way to manage them. Always keep them guessing. If you cant think of any other way to surprise them, give them a bust in the jaw.
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There is something about jumping a horse over a fence, something that makes you feel good. Perhaps it's the risk, the gamble. In any event it's a thing I need.
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...It seems hard that a man in his need could be so flouted by a road.
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Living is one constant and perpetual instant when the arras-veil before what-is-to-be hangs docile and even glad to the lightest naked thrust if we had dared, were brave enough (not wise enough: no wisdom needed here) to make the rending gash.
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You get born and you try this and you don't know why, only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with strings, only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way.
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When grown people speak of the innocence of children, they dont really know what they mean. Pressed, they will go a step further and say, Well, ignorance then. The child is neither. There is no crime which a boy of eleven had not envisaged long ago. His only innocence is, he may not be old enough to desire the fruits of it...his ignorance is, he does not know how to commit it...
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The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.
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Given the choice between the experience of pain and nothing, I would choose pain.
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You can't beat women anyhow and that if you are wise or dislike trouble and uproar you don't even try to.
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Riches is nothing in the face of the Lord, for He can see into the heart.
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You men,' she says. 'You durn men.
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Knowing not grieving remembers a thousand savage and lonely streets.
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I never know what I think about something until I read what I've written on it.
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We will have to choose not between color nor race nor religion nor between East and West either, but simply between being slaves and being free. And we will have to choose completely and for good; the time is already past now when we can choose a little of each, a little of both. We can choose a state of slavedom, and if we are powerful enough to be among the top two or three or ten, we can have a certain amount of license - until someone more powerful rises and has us machine-gunned against a cellar wall.
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We could live like counts. ... If all that money is out there, I might as well hack a little on the side and put the novel off.