Floyd Mayweather, Jr. Quotes
Quotes to Explore
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The thing about doing anything artificial to your hair is that you have to look after it. So you're always vulnerable to the weather and time.
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It's always interesting to play a character that obviously has a secret.
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I'm a great believer that the most important years are the sort of early years but the preschool years and then into the first and second grades. If you get a good base in the first and second grade and you can read, you can do anything.
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As far as Israel, I am not worried about the relations between Israel and the United States.
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We are paying the price for living longer, collecting degenerative diseases along the way. Cancer is only one. Others are heart and brain diseases like Alzheimer's and Parkinsons.
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I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
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When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
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Our house is a constant mayhem of music, noise, socializing and business. It vibrates life, as a house should.
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I was raised looking at women who were strong, and they weren't really into playing race cards or playing gender cards. I didn't grow up around women who were like, 'Well, let the boys do that, and let the girls do that.' I didn't really see that in my house.
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I've dealt with a lot of couples over the years, and most cite the battle for closet and bathroom space as one of the most frequent causes of marital discord.
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People are intrigued when they discover you date a footballer - women especially.
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Everything must be recaptured and relocated in the general framework of history, so that despite the difficulties, the fundamental paradoxes and contradictions, we may respect the unity of history which is also the unity of life.
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I don't go out anywhere. I don't go to nightclubs, so meeting somebody in the nightclub is out of question.
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I feel very grateful to be alive and well enough to make music.
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A lot of people go in and have to create their own characters, and they do fine with it.
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It is up to you to decide who to believe: the same people as usual or those who endanger their lives to save the country.
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It's my deepest interest as an actor: I love discovering how human beings work, how their flaws reveal themselves - how to learn and grow from that - and how characters teach me things as a woman and as a parent.
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I moved to Paris for two years, then to London, then New York in 2002. In that time, I also lived in Japan, Italy, Germany - I've been a bit of a gypsy.
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At 14 and 15, I used to listen to Tito Puente, Dave Valentine and everything that was happening with American jazz. I love it.
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The primary goal of the so-called nonfiction text is to relay the facts of an event - the facts about a person, the facts of history - which is not why I turned to this genre.
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How often I found where I should be going only by setting out for somewhere else.
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The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.
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I think one of the perks of getting to do comedy is the ability to hang out with the funniest people in the world.
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Once I am in the square circle, I am in my home.
