Billy Lawrence Quotes
Part of walking the line as showrunner is trying to please people and still be true to what you believe creatively.
Quotes to Explore
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I love working with other actors and other people - you know, stand-up - it's lonely; it's just you out there and the audience. But it's fun working with other actors. I love doing that, too.
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I love London, I love the British people.
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Married people from my generation are like an endangered species!
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There are two kinds of people on this Earth: Those who are content and those who are not.
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When I read about genetics, I see breakthroughs every day. And while I'm trying to learn more about behavioral science, I must say that I don't feel I get tremendous intellectual stimulation from most of the things I read.
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I don't like Los Angeles. The people are awful and terribly shallow, and everybody wants to be famous but nobody wants to play the game. I'm from New York. I will kill to get what I need.
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I don't believe in just ordering people to do things. You have to sort of grab an oar and row with them.
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People wanted Bitcoin to live so much, they basically willed it back into existence. That showed me how passionate this community was about it.
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I think that when you're kind of just shoved out there and you have to be tough and you're facing tough people and people are saying bad things about you, that all of a sudden, you have to become a little less sweet.
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Every cancer looks different. Every cancer has similarities to other cancers. And we're trying to milk those differences and similarities to do a better job of predicting how things are going to work out and making new drugs.
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I almost chopped my thumb off once. Just before I left home, I was about ten or eleven years old, and I was trying to open a bone. Can you imagine that? A bone! I was trying to get the marrow out of a bone, and I took the ax, and I went to chop it, and something slipped, and the ax went right down there and damn near cut it off.
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I have lifelong friends. My oldest friend, Herbie, has been a friend since I was 9. I've had bonds for over 50 years with people.
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Al Roker is one of the most sensible people you'll ever meet. He's raised two daughters and a son. And I love him, in that as jovial as he is, he's a straight shooter. He's a New Yorker, as they say.
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'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.
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What an extraordinary achievement. What a vindication of the belief that ordinary people can do extraordinary things. What a reminder of what Bobby Kennedy once said about how small actions can be like pebbles being thrown into a still lake, and ripples of hope cascade outwards and change the world.
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I now believe global warming alarmists are unpatriotic racists knowingly misleading for their own ends. Good night.
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Tell the innocent visitor from another world that two people were killed at Serajevo, and that the best that Europe could do about it was to kill eleven million more.
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Ideally, it would be cool to actually get to know artists enough to know what their feelings are, what they believe in, what they want people to get from them, what they represent.
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I think that even though some of the things on 'Humans of New York' are kind of very personal and very revealing, I think the discomfort with sharing that tends to be overwritten by the appreciation of being able to distill the experience of your life into a story and share it with other people.
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I'm really not for famous people who design a line for a company, when you know it's not really them creating it but a team of designers, especially when there are so many talented people who've taken the time to go and study fashion.
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It is no wonder that people are so horrible when they start their life as children.
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What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is that it could all end tomorrow.
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I think, in history, everything is about the remix.
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Part of walking the line as showrunner is trying to please people and still be true to what you believe creatively.
