Radha Mitchell Quotes
We don't relate to her too much because you don't want the heroic character to not be heroic.

Quotes to Explore
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If you go to a tree with an ax and take five whacks at the tree every day, it doesn't matter if it's an oak or a redwood; eventually the tree has to fall down.
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At the end of the day, don't forget that you're a person, don't forget you're a mother, don't forget you're a wife, don't forget you're a daughter.
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I love being a woman and I was not one of these women who rose through professional life by wearing men's clothes or looking masculine. I loved wearing bright colors and being who I am.
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The character I play is a wonderful compilation of things I hate about myself and things I love about myself and things that I've invented to make her even more interesting than me.
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A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
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I found it an interesting portrait of a marriage in exploring notions of how one partner supports the other, whilst not jeopardizing the greater good - which is the family.
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At every turn, small businesses should be encouraged to compete. When they do, we all win.
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I can't imagine going on when there are no more expectations.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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There is not a more repulsive spectacle than on old man who will not forsake the world, which has already forsaken him.
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As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.
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Christlike communications are expressions of affection and not anger, truth and not fabrication, compassion and not contention, respect and not ridicule, counsel and not criticism, correction and not condemnation. They are spoken with clarity and not with confusion. They may be tender or they may be tough, but they must always be tempered.
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Knowing constitutional law helps one at the opera. The trial in 'Billy Budd,' as example, invokes the fugitive slave clause of the U.S. Constitution.
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We must plan for freedom, and not only for security, if for no other reason than that only freedom can make security secure.
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I can paint in jail.
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After all those years in Asia, I don't have to do promotion anymore. We just release a Jackie Chan movie and - Boom! - people go.
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As long as people have been making little people, they've wanted to know how not to.
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I'm looking for people who are at the cutting edge of what they do, who think out-of-the-box. Even if their work is something common today, it might have been absolutely new when they started out, so we'd like to hear of their beginnings.
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I always carry a pair of scissors around with me to cut things out of magazines.
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I don't use the word 'renaissance'. It's flawed because in Latin, it's tied to the rebirth of Christ... It's a word that's tied to a European concept.
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Live win, dare fail.
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Human character is never found 'to enter into its glory,' except through the ordeal of affliction. Its force cannot come forth without the offer of resistance, nor can the grandeur of its free will declare itself, except in the battle of fierce temptation.
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I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
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We don't relate to her too much because you don't want the heroic character to not be heroic.