Bishop Nehru (Markel Scott) Quotes
I instinctively live. I do what I do. A lot of people live off of logic rather than emotions. I just live off of emotion.
Quotes to Explore
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I work in the most non-Communist job. I work for 'Martha Stewart Living.'
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Reproof on her lip, but a smile in her eye.
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Secretly, I think everyone who makes fun of California really does want to be in California.
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We're going to lose more species, acidify the oceans more, do damage that it will take millions of years - if not longer - to unwind. Exactly how much damage will we do? How deep will those scars run? We don't know yet. But we will turn the ship.
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At the end of the day, I'd love to see children stop begging their parents to go to the circus. That's what would make me most happy.
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It always annoys me when stars grumble about fans coming up to them in the street. I love it. These young stars today with all their airs and graces, they need to remember it is an honour and a privilege to make money from acting. How hard is it?
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I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air.
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I am a great believer that a captain is as good as his team.
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I feel like, growing up, I watched football, obviously, and you see great players, and as a fan, you want to watch the best you can possibly watch, and you want to see what's capable of being made.
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A standard line, promoted by people like Clement Greenberg, is that politics contaminates art, and Manet is often cited as an example of art for art's sake.
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I think every movie is its own little world, and a director certainly sets the tone.
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You don't want people rooting for anything other than the team that they love and the players that they think the world of to win. We don't want there to be another agenda.
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Washing dishes as a 17-year-old in an Oxford college and seeing the privileged lifestyles of the undergraduates there convinced me that a system that allowed luxury for the few at the expense of the many needed to be challenged.
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Great books are rare.
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I was kind of the black sheep with the Disney kids. I was uninterested in making friends with most of them. I didn't really fall into 'the Disney mold.' I was more or less the kid hanging out with the crew members and got along with them far better.
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I've worked nonstop for 31 years. I've counted down myself hundreds of cues for everything in each 90-minute show. I've never really taken an extended break, so I'd like to see what a vacation is really like.
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When I began work on my first book, 'The River of Doubt,' which tells the story of Theodore Roosevelt's 1914 descent of an unmapped river in the Amazon rainforest, I thought of it as a tale of adventure, exploration and extraordinary courage.
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As far as the creative side of making great, great albums and really trying to go down in history? I don't see that happening lately, you know what I mean? You have a lot of guys is talented, but at the same time, timeless music is more important to me.
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A lot of those early indie movies - 'Smoke Signals,' 'Eat Drink Man Woman,' 'Boyz n the Hood' - there was a different aesthetic; everyone was telling stories that were like, 'This is new and different. Let's do it.'
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I was actually pretty shy in school. My defense mechanism was to be the class clown. I remember getting into a lot of trouble for being disruptive, and I was brought in front of the headteacher, who said: 'What's going to happen to you; what are you going to do when you grow up?' and I said: 'Well, I'm obviously going to be a comedian.'
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I remember, when I started acting officially, I was unbelievably green. My first audition tapes were just horrendous.
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I think it is very sad that 'sitcom' has become a pejorative term.
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I instinctively live. I do what I do. A lot of people live off of logic rather than emotions. I just live off of emotion.
