Damien Chazelle Quotes
I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him. It was his face. It was whether or not he'd approve of my playing.

Quotes to Explore
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When I was a kid, all I ever wanted was to be famous.
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Everybody thinks they deserve something.
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But ya know what, I am a part of something that happened. I'm a part of the music that happened. My voice is one more instrument, is what it is. So that's the way I feel about people who play on sessions.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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I got fired for giving coffee away. It was just my regulars. I'd say, 'Don't worry about it,' and they'd put down a dollar tip. Technically, I was stealing. Ethically, I was boosting morale!
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You want maybe to be that guy or one of the few guys who can help develop the game in the United States.
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We are in a democracy, and I think for all issues, whatever matters that the opposition may have apprehension on, there is a forum, and it is called Parliament.
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I think it's a mistake to go after someone just based on looks. But I always respond to people who don't act that interested in me.
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Design can successfully bind the ancient nomadic cultures with today's global marketplace, ensuring the preservation of traditions and knowledge for further generations. This aspect of research is obviously rich in its business potential as well.
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'Haraamkhor' is a low budget film. We are not worried about the box office because our film is already in profit. It's got a strong content that will reach people's heart.
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It's amazing how a competitive nature can turn a negative into something positive.
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As a kid I loved John McEnroe. They called me Mac because, while everyone else liked Borg, I was crazy about McEnroe. I tried wearing headbands and sweatbands, and whooping at people. It didn't quite work.
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All the characters on 'Girls' are growing and changing, which is how real people behave, especially when we're young, trying to figure out who we are, doing things that are the polar opposite of our characteristics.
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For some people, miracles serve as evidence of God's existence.
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That was one of the best, exciting things for me to play with them. They were very young and eager to go. I'd been playing with a band that was mostly old folks that had been together so long we couldn't do anything to excite each other.
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In my view, if you want to get ahead and build wealth, you have to get over your delusion that something only has value if you can measure it.
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My thinking musically has always been more advanced - it is difficult to get it down onto paper sometimes, even now.
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Growing up, me and my brother, we were kind of exact opposites. We were completely yin and yang. He was more rough and tumble, and I just wanted to play with my girlfriends.
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What I look for in a role is the physical. But what's the journey emotionally? Can I take this person who is this archetypal tough guy and find the beauty?
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We fatuously hoped that we might pluck from the human tragedy itself a consciousness of a common destiny which should bring its own healing, that we might extract from life’s very misfortunes a power of cooperation which should be effective against them.
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There's nothing like a pack of mules to give one a sense of entourage.
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The two of you, there's something uncanny about the way you two are with each other. I mean everything – the way you look at each other, the way she relaxes when you put your hand on her back, the way you both seem to know what the other is always thinking, it's always struck me as extraordinary. That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that, they say anything's possible, right?
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Having spent time on the Broadway stage definitely helps one's confidence in terms of feeling just validated in that world. Most people only know my voice as a country artist.
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I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him. It was his face. It was whether or not he'd approve of my playing.