Damien Chazelle Quotes
I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him. It was his face. It was whether or not he'd approve of my playing.

Quotes to Explore
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When I was a kid, all I ever wanted was to be famous.
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Everybody thinks they deserve something.
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But ya know what, I am a part of something that happened. I'm a part of the music that happened. My voice is one more instrument, is what it is. So that's the way I feel about people who play on sessions.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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I got fired for giving coffee away. It was just my regulars. I'd say, 'Don't worry about it,' and they'd put down a dollar tip. Technically, I was stealing. Ethically, I was boosting morale!
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You want maybe to be that guy or one of the few guys who can help develop the game in the United States.
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We are in a democracy, and I think for all issues, whatever matters that the opposition may have apprehension on, there is a forum, and it is called Parliament.
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I think it's a mistake to go after someone just based on looks. But I always respond to people who don't act that interested in me.
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Design can successfully bind the ancient nomadic cultures with today's global marketplace, ensuring the preservation of traditions and knowledge for further generations. This aspect of research is obviously rich in its business potential as well.
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'Haraamkhor' is a low budget film. We are not worried about the box office because our film is already in profit. It's got a strong content that will reach people's heart.
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It's amazing how a competitive nature can turn a negative into something positive.
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As a kid I loved John McEnroe. They called me Mac because, while everyone else liked Borg, I was crazy about McEnroe. I tried wearing headbands and sweatbands, and whooping at people. It didn't quite work.
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All the characters on 'Girls' are growing and changing, which is how real people behave, especially when we're young, trying to figure out who we are, doing things that are the polar opposite of our characteristics.
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For some people, miracles serve as evidence of God's existence.
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That was one of the best, exciting things for me to play with them. They were very young and eager to go. I'd been playing with a band that was mostly old folks that had been together so long we couldn't do anything to excite each other.
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In my view, if you want to get ahead and build wealth, you have to get over your delusion that something only has value if you can measure it.
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My thinking musically has always been more advanced - it is difficult to get it down onto paper sometimes, even now.
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Growing up, me and my brother, we were kind of exact opposites. We were completely yin and yang. He was more rough and tumble, and I just wanted to play with my girlfriends.
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The problem of sexism is getting better, but I don't know if it's getting better fast enough. We see more roles for women that don't entirely revolve around the way in which they function in a man's life, but typically those women are almost always white, and even then, there are only a few of them.
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We've sent 130 men to death row to be executed in this country, at least 130 that we know of, who have later have been exonerated because they were either innocent, or they were not fairly tried. That's 130 people that we've locked down on death row. And they've spent years there.
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Expectations are a form of first-class truth: If people believe it, it's true.
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I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him. It was his face. It was whether or not he'd approve of my playing.