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It is a curious thing how poets tend to become ascetics.... Even a debauch for them is a self-flagellation. They go on the loose in cruelty against themselves, admitting that they are pandering to, and despising, the lower self.
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Comes over one an absolute necessity to move. And what is more, to move in some particular direction. A double necessity then: to get on the move, and to know whither.
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In the ancient recipe, the three antidotes for dullness or boredom are sleep, drink, and travel. It is rather feeble. From sleep you wake up, from drink you become sober, and from travel you come home again. And then where are you? No, the two sovereign remedies for dullness are love or a crusade.
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And that is how we are. By strength of will we cut off our inner intuitive knowledge from admitted consciousness. This causes a state of dread, or apprehension, which makes the blow ten times worse when it does fall.
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If you try to nail anything down, in the novel, either it kills the novel, or the novel gets up and walks away with the nail.
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Sometimes life takes hold of one, carries the body along, accomplishes one's history, and yet is not real, but leaves oneself as it were slurred over.
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The whole point about the true unconscious is that it is all the time moving forward, beyond the range of its own fixed laws or habits. It is no good trying to superimpose an ideal nature upon the unconscious.
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Sight is the least sensual of all the senses. And we strain ourselves to see, see, see--everything, everything through the eye, inone mode of objective curiosity.
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No creature is fully itself till it is, like the dandelion, opened in the bloom of pure relationship to the sun, the entire living cosmos.
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When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
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But the effort, the effort! And as the marrow is eaten out of a man's bones and the soul out of his belly, contending with the strange rapacity of savage life, the lower stage of creation, he cannot make the effort any more.
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When we get out of the glass bottle of our ego ... things will happen to us so that we don't know ourselves. Cool, unlying life will rush in.
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She is my first, great love. She was a wonderful, rare woman - you do not know; as strong, and steadfast, and generous as the sun. She could be as swift as a white whiplash, and as kind and gentle as warm rain, and as steadfast as the irreducible earth beneath us.
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When passion is dead, or absent, then the magnificent throb of beauty is incomprehensible and even a little despicable.
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The difference between people isn't in their class, but in themselves. Only from the middle classes one gets ideas, and from the common people--life itself, warmth. You feel their hates and loves.
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Most men have a deadness in them that frightens me so because of my own deadness. Why can't men get their life straight, like St.Mawr, and then think? Why can't they think quick, mother: quick as a woman: only farther than we do?
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I believe that the highest virtue is to be happy, living in the greatest truth, not submitting to the falsehood of these personaltimes.
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I do esteem individual liberty above everything. What is a nation for, but to secure the maximum liberty to every individual?
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Now man cannot live without some vision of himself. But still less can he live with a vision that is not true to his inner experience and inner feeling.
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One man isn't any better than another, not because they are equal, but because they are intrinsically other, that there is no termof comparison.
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The Spanish wine, my God, it is foul, catpiss is champagne compared, this is the sulphurous urination of some aged horse.
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I love you, rotten, Delicious rottenness. ...wonderful are the hellish experiences, Orphic, delicate Dionysos of the Underworld.
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Go deeper than love, for the soul has greater depths, love is like the grass, but the heart is deep wild rock molten, yet dense and permanent.
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And that is ... how they are. So terribly physically all over one another. They pour themselves one over the other like so much melted butter over parsnips. They catch each other under the chin, with a tender caress of the hand, and they smile with sunny melting tenderness into each other's face.