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You've got to adapt - or get out.
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When fans come to me, and they say, 'You're my favorite singer in rock music,' and I go, 'What about Steven Tyler?' 'No, I like you better.' 'What about Robert Plant?' 'I like you better.' That's kind of weird to me, because I'm like, 'No, dude - Steven Tyler and Robert Plant are gods.'
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Unfortunately, the record I did with Motley wasn't exactly a huge success. But working with those guys was a huge learning experience as well as a really creative time, so I had an absolute blast during that five years of my life!
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For me, 'Resurrected' is just like I'm saying, 'I'm still here; I'm still having fun, and I'm still going.'
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You see a documentary, you want to see it on Aerosmith or Jon Bon Jovi or Kiss, a band that's been established and sold millions of records and done something notable.
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My son is my drummer.
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I can do a documentary on myself, and it would be, like, 10 minutes.
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I love bands like Queen, Zeppelin, The Beatles.
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From a vocal standpoint, Glenn Hughes is just a god.
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My mother raised me to open the car door, open the door; if you take a woman out, you should pick up the check, and blah blah blah - whatever.
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People laugh at my analogy in most cases - I go, 'Yeah, everything looks awesome on paper until you stick six guys in a submarine and go, 'Okay, go out and conquer America.''
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That year, the year after being in Motley Crue, was very difficult. But I learned, and I coped with it. And life is good still.
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Probably about 90 percent of the things that you read that supposedly came out of my mouth in regards to the Motley guys, usually most of it is incorrect. At the end of the day, I have no ill will.
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When I started doing the acoustic shows, people would be yelling for 'Hooligan's Holiday' and 'Smoke The Sky,' and I had no idea of how to pull them off.
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Unlike a lot of my cohorts from the '80s and '90s who totally blamed the shortness of their careers on bands like Nirvana and Alice in Chains and Soundgarden and whatever, I was very into a lot of those bands.
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One door shuts, and another one opens, and you just kind of follow that path. My path has been a little curvy, but it is what it is. It's all good.
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If you don't like what you're doing, get out.
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I'm a songwriter, and I'm more than just a screamer.
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I've had Motley fans come up to me and talk to me about Motley. I've had other fans talk to me about all the backing vocals and the tapes. I just ask them, 'At the end of the day, did you have a good time?' That's it.
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Doug Aldrich and I grew up in Philadelphia together, and Doug used to come and see a cover band that I was in. He was, like, 15 or 16, and I was, like, 18, 19.
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I don't think anybody should be subject to any sort of harassment in any way, shape, or form.
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A lot of people assumed I faded off into the sunset.
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I have fans that write to me and say, 'Why do you have those blonde streaks in the front of your hair?' And I'm like, 'It's not blonde. It's grey.'
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Motley never once sat down and said, 'Well, the music scene's changing. We need to make this record a little darker or heavier musically or lyrically.' It was just four guys sitting in a room like a bunch of 16-year-olds in a garage and jamming on riffs.