Patrick Moraz Quotes
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John Coltrane was probably my deepest influence, along with Jimi Hendrix, Elvin Jones, Bud Powell, Thelonious Monk, Mahalia Jackson, Ravi Shankar, Art Tatum, Clifford Brown, Eric Dolphy, Oscar Peterson, John Lewis, Bill Evans, Yehudi Menuhin, McCoy Tyner, THE BEATLES, Jimmy Smith, Keith Jarret, Glenn Gould, Aldo Ciccolini, Georgy Cziffra, Dinu Lipatti and Clara Haskil, with whom I worked as a child.
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Although my first instrument was actually the violin, I prefer the piano as my main instrument. I love harpsichord and church organ and, of course, I love all synthesizers, analog and digital, as well as all sorts of percussion instruments, in addition to my beloved Alpine Horn and trumpet. And there's nothing like a Hammond organ and a real Moog synthesizer, or even a real Oberheim. When I played the mellotron, I had special effects tapes of all my albums made and was "playing" them through live concerts or different recordings like "on cue" analog samplers. I liked that part of playing them too, because they provided some very original punctuations in the music.
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Both groups played progressive rock and even though the majority of the music was based on my compositions, the end result was really a group effort, especially in the arrangements. Both groups MAINHORSE and REFUGEE had a different identity, however MAINHORSE had a lead guitarist which made a big difference in the overall sound. We also had much more vocal arrangements in MAINHORSE. But the essence of the music was mine, in both groups.