Samantha Barks Quotes
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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For thousands of years, we did have death surrounding us, and we did have people die in the home. You would take care of your own end. You would do ritual processes, and you would be involved in it, and that's been taken away in the Western world.
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I see myself traveling; I see myself with a much bigger living space than I do have right now. I see myself hopefully on a tour bus at some point.
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Every story I create, creates me. I write to create myself.
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If you tell me I can't eat something, I'll obsess over it and end up overeating!
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Myself when young did eagerly frequent doctor and saint, and heard great argument about it and about: but evermore came out by the same door as in I went.
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If you look at the history of large financial institutions, most of them have succeeded because of a deep presence in their home market.
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The cow is of the bovine ilk; one end is moo, the other milk.
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Obviously, you want to honour the sound of your music, but I'm definitely open to trying new things and making myself use a different palette of sounds.
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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A sudden dart when a little over a hundred feet from the end of the track, or a little over 120 feet from the point at which it rose into the air, ended the flight.
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When I find myself in the company of scientists, I feel like a shabby curate who has strayed by mistake into a room full of dukes.
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I've always supported myself. I like the sense of knowing exactly where I stand financially, but there is a side of me that longs for a knight in shining armor.
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I don't take myself too seriously.
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I'm shy, and I can hide behind my acting and discover the truth about myself because it's cathartic in that way. But I tend not to read reviews.
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We shot 'Skateland' in the end of 2008, in Shreveport, Louisiana just between the border of East Texas and Louisiana - and we shot 'Battle: Los Angeles' at the end of 2009, also in Shreveport. So I know a lot about Shreveport.
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Money is the string with which a sardonic destiny directs the motions of its puppets.
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If I have 1% of my dad's brain, I'll be happy. He's so quick.
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It is G.E. Moore at the spinet.
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I like to scare myself and throw myself off the deep end.
