Wayne Dyer Quotes
I cannot always control what goes on outside. But I can always control what goes on inside.
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Quotes to Explore
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When you built television sets, you have all this test equipment. And you'd have all these lines and squares on the screen to test it. So it occurred to me that it might be fun for people to control the lines and squares on the screen.
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I always knew would be some sort of artist, but didn't know what.
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I'm just in love with Burberry. Always have been, always will be.
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If you can be a good example to other people, why not try to be that person? I have a bit of a people pleaser in me, but not so much so that it's out of control.
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The human capacity to be curious has always existed.
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Always forgive your enemies - nothing annoys them so much.
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It's always convenient for certain people to heap accusations on Israel.
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My first thought is always of light.
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Anger is a momentary madness, so control your passion or it will control you.
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The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern.
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It was always fun to skate with Paul Wylie and Paul Martini.
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I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
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In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.
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I hate exercising self-control.
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I've always considered myself a character actor.
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India always inspires me.
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I've gone on streaks where I haven't shot the ball well here, but I was always making up for it in other areas, so it wasn't as big. It's just a part of the game. I got to do better with it.
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If you have a setback, and you're not doing well and then you overcome it somehow, it always sticks with you. You know it could happen again.
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I'm terribly attention-seeking. It's very different once you get all this attention, though. Because then you want to control it. And you can't exactly.
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I don't give you editorial control. I want to meet you. I want to interview everybody who's ever known you. I want to see your correspondence. I want to see your bank statements. But you will have no control over what I write. That's why I really believe in the unauthorized biography.
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'On the Twentieth Century' was always something I wanted to do because of Kristin Chenoweth.
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During the last century, and part of the one before, it was widely held that there was an unreconcilable conflict between knowledge and belief.
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I cannot always control what goes on outside. But I can always control what goes on inside.