Chris Solinsky Quotes
I tape my list of goals, both large and small, above my bed so I can see them when I wake up. This holds me accountable.
Quotes to Explore
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Every audition I get, I agonise over and I put everything I can into it.
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A record deal doesn't make you an artist; you make yourself an artist.
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I often tell people when you make a mistake, you not only hurt yourself, but you hurt the ones that love you.
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The nightmare of a film career, or at least the challenge of one, is that you're rarely going to get the opportunity to explore character because once people see you in one thing, you know, they want to see that again.
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I technically have two last names, which is a lot of fun when you're making airline reservations.
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Good work is good work wherever it's done, in a play, a motion picture or television, and that includes commercials.
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One SF prediction that I would like very much to see: Get solar collectors launched to beam energy back home, and get away from fossil fuels.
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It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.
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I don't think limits.
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I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career.
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I envy the sensibility in Europe, appreciating beauty in women as they age. I'm going to go that way. I might dye my gray hair for a bit, but beyond that the buck stops. I'm not having any work done.
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I'm kind of a pop culture stew, you know.
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I'm floored that the House leadership would turn its back on job creation for Mississippians.
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I am not allowing myself to get carried away.
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I believe a democracy needs men and women of conviction in its positions of leadership in order for us to succeed. That's the subject of 'A Perfect Candidate,' a film I made 20 years ago about Oliver North and Charles Robb.
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Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
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I've been playing music for over 20 years now. I started playing when I was 14 years old. To everyone who has said I was an overnight success... where have you been the last 20 years?
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Since this war began our sympathy has gone out to all the suffering people who have been dragged into it. Further hundreds of millions have become involved since I spoke at Limerick fortnight ago.
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Mobile is a seaport town, and we ate a lot of seafood. We'd go fishing, we'd catch our fish and we'd eat our fish. It was a ritual on Saturday morning for all my family - my grandfather, my brothers, my uncles, my father - to go fishing, and then the ladies of the family would clean the fish and fry them up.
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There's nothing weirder than when your band finally gets big and you're playing sold-out arenas and you're selling millions of records, and you dread being a part of it all. It wasn't some master plan to go solo. I was just like, I would rather do my own thing, be happy, and have it be ten times less popular. That was really it. It just wasn't fun, the stress.
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Only an unhinged movie survives as a disconnected series of images, of peaks, of visual icebergs. It should display not one central idea but many. It should not reveal a coherent philosophy of composition. It must live on, and because of, its glorious ricketiness.
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When trouble strikes, which it always does - bad economy, bad quarter, activists, takeover - when trouble strikes, those board members who don't understand or are not committed are not helpful.
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I tape my list of goals, both large and small, above my bed so I can see them when I wake up. This holds me accountable.
