Christina Stead Quotes
Quotes to Explore
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But we had a fantastic coach, Simon Clifford, who runs a British football youth game which teaches Brazilian techniques - which is what we wanted to incorporate into the film. And some of those things we eventually got in.
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Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
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For the most part, it's a very male-dominated business. Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that, even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
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The whole kiss-and-tell thing is a negative approach that often happens in a World Cup. We will see negative stories about the players and it can affect their confidence and the overall performance of the national team on the pitch, let alone the bid to actually stage the competition.
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You need to train your brain to be positive.
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It's hard not to play golf that's up to Jack Nicklaus standards when you are Jack Nicklaus.
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If you think it's hard to meet new people, try picking up the wrong golf ball.
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I want to be respected as an actor. There's my ego. But I don't have a great need to be liked by an audience.
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The target audience goes back to conception. That means pre-natal care, safe delivery, post-natal screening, and the ordinary stuff you do in pediatrics.
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The challenge of life, I have found, is to build a resume that doesn't simply tell a story about what you want to be, but it's a story about who you want to be.
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Not that I went into the Olympics with any doubt, but my holiday plans afterwards depended on how well I did - bronze, silver or gold.
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I'm like, over love. Crush, smush. I can't. I'm giving up on love at this point. I'm hoping for a crush. Actually, no. I don't want a crush. I want someone to crush on me.
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I have such pride in furthering the American musical and using it as a way to tell story.
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Living by myself out in Malibu has been really good. I kind of have my freedom; I've got a whole house to myself. The tough part comes when sometimes, you know, you get pretty lonely.
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I'm attracted to subjects who overcome tremendous suffering and learn to cope emotionally with it.
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'SNL' is part of my history. I got on the show as a kid. That's the show I got known from.
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If I am writing a movie and I am stuck, I can call the studio and tell them it's delayed. You can't do that with television - you have air dates to meet.
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We're fighting to be ourselves in a world that's trying to make us like everyone else.
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In our postmodern culture which is TV dominated, image sensitive, and morally vacuous, personality is everything and character is increasingly irrelevant.
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I've never sought success in order to get fame and money; it's the talent and the passion that count in success.
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I keep reading that I'm cold. But I'm not, I'm shy. And I play a lot of women of fire and sexuality like an animal - so I'm cold on one side and fiery on the other.
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I don't keep people around me that aren't family. You don't get to stay. Unless you're eating at the table with us, you're not part. We eat together, we cry together, we live together, we die together. Everything that we do is for each other, and we care for another.
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The misunderstanding of passion and reason, as if the latter were an independent entity and not rather a system of relations between various passions and desires; and as if every passion did not possess its quantum of reason.
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About myself - no. I'm unimportant, an observer, a wandering animal.
