Christine Maggiore Quotes
Quotes to Explore
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What we do is nothing like the portrayal of badminton as a gentle game played in a church hall. Badminton can be fun and relaxing, but as professionals, this sport is our heart and soul and passion, and our games are fast and aggressive.
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I want a place where I can have horses.
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Most artists, their 60th show was in front of no one. My first show was in front of 1,200 people.
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I read Shakespeare when I was 14 because it's what we were taught.
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Whenever I received too much praise, it just didn't feel right to me – ever.
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It's the face and the body and the thing that we hide inside that can keep us from the world, but my voice is my voice.
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I take pride in taking care of all the housework so that my wife, who works as a designer for Martha Stewart, won't need to sacrifice any of her leisure time when she gets home.
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I love to cook when I have the time. I don't cook French or Mexican food with exact recipes. I just go to the supermarket and buy things that look good, and I mix it all together and invent something. Ninety-five percent of the time, I'm lucky. Sometimes not so lucky, and I say, 'Let's go out to dinner.'
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The heart of Univision – and what we do – is here in Miami.
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The story and the characters of 'Girl Online' are mine.
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I was almost 8 years old when I was watching a kid on a TV commercial, and I told my mom that I wanted to do the same thing. She said that I would need to get an agent and that she would research it.
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I always felt like there were always egos involved when I was trying to get music finished in New Order. Sometimes it would feel like I was running through water.
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The diverse threats we face are increasingly cyber-based. Much of America's most sensitive data is stored on computers. We are losing data, money, and ideas through cyber intrusions. This threatens innovation and, as citizens, we are also increasingly vulnerable to losing our personal information.
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A lot of actors, you can't get them to shut up. Instead of listening and watching, they're always telling you something.
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One time, I came off stage and a guy named Roman Decare, God rest his soul, he was a comic. 'Louie, if you do that family stuff, and you're a clean comic on stage, you'll become famous.' And, for some reason, a switch clicked, and I started doing the family stuff, and it became a giant part of my life.
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If I knew my schedule a month ahead, I'd be so bored.
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A lot of my friends who are white are like, 'Dude, I can't get an audition; it's all Hispanic and black.' It's about time.
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As far as 'Dahmer' and 'Jumanji' are concerned, with both of them, they felt super raw and affecting, but in their own ways. I also thought 'Jumanji' was completely not trying to be anything except what it was, and I found it to be hilarious.
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The only way to conduct an effective collaboration is to debate the things upon which you disagree. If one doesn't manage to bring the other around to his point of view, then whichever collaborator feels the most passionate about the thing being debated ought to get his way.
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There's you. There's me. We love each other, and we have since we were kids, so we should be together. The end.
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Patronage during the Renaissance was considered quite a responsible affair. Philanthropists supported artists, believed in them and never allowed themselves to interfere directly with the creative process of people of art. I myself profess similar principles in the field of cooperation with outstanding cultural figures.
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You cannot travel within and stand still without.
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Once everyone else around you starts to become incredibly comfortable - if anything, quite happy with what you are doing - then I start to settling in and trusting all those choices that I've made up to that point.
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So, our choices, however radical they may seem, are extremely well-founded.
