Robin Trower Quotes
Quotes to Explore
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Music was a way of rebelling against the whole rah-rah high school thing.
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I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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There's nothing like a music festival. People are ready to have a good time. I don't think anyone comes to a festival going, 'I'm gonna be a complete bummer today.'
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture.
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I feel like my kind of music is a big pot of different spices. It's a soup with all kinds of ingredients in it.
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If you meet me, you might not get to know me. If you hear my music? You'll get to know me.
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My speech is really important to me, but the thing is at the moment it can't be more important than my singing. Until I'm an established name all over the world, my speech won't be more important than my music.
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Sports without music is just a game. Music makes it entertaining.
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I don't listen to music, actually. Obviously I go to clubs; I stand in elevators; a lot of my friends are musicians; I hear music all the time. But I don't have my own collection of music.
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I go into military communities and do fundraisers and that kind of thing with the band, because I know that the music can help do a lot of things. It can bring communities together, it can raise awareness... and it entertains.
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Actually, I have another record I made with them in 1976, but I've had such a bad experience with record companies, because I keep my head so much in music and not in business.
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Art, whatever form it takes, requires hard work, craftsmanship and creativity. As a writer, I know my grammar, cadence, the music of prose, and the art of the narrative.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.
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Praise those of your critics for whom nothing is up to standard.
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Music is really something that makes people whole.
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I came to realize that if I was going to succeed in the music industry, I was going to have to learn how to perform my songs myself.
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I wanted to follow the path of music and feel that power, and I couldn't turn back.
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I wanted to make good records. But my problem is I've got a low boredom threshold, so I wanted it to look and sound different with each album, which is really tantamount to suicide, cause people lose it, they lose it - they say: 'I like that, and that's not this.'
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I didn't choose BYU, I like to think it chose me.
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We are constantly driven to believe that women should look a set age or be a certain body size, which is fuelling an obsession with ever more dramatic and invasive steps.
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Music has nothing to do with your technical ability.
