Vincent Cassel Quotes
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People look up to Jacques Mesrine as if he were a Robin Hood, stealing from the rich, but he never gave anything back to anybody.
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I think people have a misinterpretation of Method acting, because Method acting is a wonderful thing. The thing is, if you take it too seriously, it's like religion. You start to think it's the truth. But it's not the truth. It's just a way to get somewhere.
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The day after I had my licence to drive, I made Paris/Nice at 230 km/hour.
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Many times, I have heard people saying that they don't like to work with their wife or husband, but to me, it is a plus. To work with somebody you love makes filming faster, more fun.
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The minute I started being recognised, I became much more discreet.
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I'm actually beginning to believe that there is something in common among all of my characters. I'm not sure what it is exactly. But I guess that something is me.
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Instead of playing heroes and righteous people, I'd rather portray characters with problems of conscience who have to lie, to betray, and then have to cope with that. They feel more true to me.
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The idea of telling a story in reverse destabilises your ordinary moral reactions. That's one of the points of art - to challenge your preconceptions.
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I know that what I see in every religious person is not something I want to teach my kids.
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If most women are looking for security, I think men look for adventure.
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I come from an acting family, my father was an actor, and I had to fight my way and just create my own identity.
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I'm an actor, that's what I do every day. Dressing up is part of my job. But whatever you wear you should always be yourself: never go totally with the fashion but use what there is available to be an individual.
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People ask me where I live most of the time, and it's kind of complicated for me to answer, because I'm not really sure. It's somewhere in between London, Rome, Paris, and Rio.
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They say the day you lose your parents, you start to look like them.
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I don't think France is a racist country, I really don't, but we do still have many problems with our immigrant past, and there's a shame that goes with that, that works both ways, in the host and in the post-immigrant generation.
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I did direct two short movies. I learned many things, and one of the things I learned was that I am not a director. It has to be visceral, and it's not for me. I feel much more comfortable acting.
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What came out of 'Ocean's Twelve' is actually great because you do one 'Ocean's Twelve,' and you're more known around the world than if you did 20 years in the French cinema industry.
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In Italy, it is difficult to see a film in the original language because the voice actors here are a mafia.
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I really enjoy being an actor!
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I love French style from the Thirties and Forties. French movie stars like Jean Gabin and Yves Montand had so much natural, effortless style.
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I work everywhere. If there is a nice adventure in South Korea, for example, why not? Russia, Brazil, whatever. I'm ready for almost anything.
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There is this idea that it's very different from the French point of view to work in America blah, blah, blah. But I think it's different from one person to the other, not from one country to the other.
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My problem is I can't show any of my movies to my daughters. It's tough. 'Beauty and the Beast'... they liked it. But that's the only one, really. Otherwise, they've always been dark or violent.
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Cinema is entertainment, and people go to the movies because they want to feel good and forget about everything.