Sam Altman Quotes
Quotes to Explore
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Nietzsche claimed that his genius was in his nostrils and I think that is a very excellent place for it to be.
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I think we should be encouraged to learn from Columbine and let it be a battle cry for all of us.
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I think by laying it out for the viewer I'm avoiding the issue of bias.
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If you are the wife of a governor or the wife of a vice president, I think you can be prepared for it.
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I think that everyone should be able to dribble. Everyone should be able to pass. Otherwise, why are you out there?
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But I like going to church. If you've been brought up in the Church of England, it feels like visiting an elderly relative. And I think it's important that part of the kids' education is knowing about the Bible.
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My own tastes happen to be in tune with what the public wants. I think that's the reason my batting average is so high, not because I've discovered some brilliant formula.
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The real problem at the moment is that the banks - because of their existing culture, which is frankly anti-business, obsession with short-term trading profits, not focusing on the long term - are throttling the recovery of British industry.
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Once you understand that Goliath is much weaker than you think he is, and David has superior technology, then you say: why do we tell the story the way we do? It becomes, actually, a far more meaningful and important story in its retelling than in the kind of unsophisticated way we've done it for, I think, too long.
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I may have managed to build a successful technology startup that had gone public by the time my three kids hit their 13th birthdays, but don't think that bought my wife and me any special respect from our teenagers.
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I throw as hard as I can when I think I have to throw as hard as I can.
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I think the gay community, just like anybody, should be represented in all forms and all types.
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Film is very much a universal and common voice, and we can't limit it to one particular culture.
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I'm a novelist, a critic, an essayist - I tend to see politics as a subset of cultures rather than the other way around. It's a human enterprise, a tool or a technology revealing our collective inner self.
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I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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I think I've paid my dues. I've really put in a lot of time on set.
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When I'm in the U.K. – and I'm here more than people would think – I tend to keep a very low profile.
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In order to be universal, you have to be rooted in your own culture.
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I think I made essential a mistake in staying in movies, because I - but it's a mistake I can't regret, because it's like saying, 'I shouldn't have stayed married to that woman, but I did because I love her.'
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All these experiments I've done over the years with technology have been asking whether I can tell stories that affect humans in a deeper way than I could without the technology.
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I owe 90 per cent of my life to people because I am a public figure, but 10 per cent is private to me. And I am not saying it in a defensive way. I feel my life has been made into a TV serial.
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The joy of being a broadcaster is, if you're still allowed to choose your own music.
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Do I think every culture will embrace location technology? Yes.
