Faith Hill Quotes
Quotes to Explore
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I always thought George Bush was more oblivious than mean, but oblivious can quickly go to mean.
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A little bit of stage fright, then I'm ready.
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I love to be in the moment. I love to analyse things a bit.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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Never go out to meet trouble. If you just sit still, nine cases out of ten, someone will intercept it before it reaches you.
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I do things right. No shortcuts.
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I was baptized a Baptist, but I'm just Christian, as far as I'm concerned. I could go in any church, doesn't matter if it's Baptist, Protestant, Episcopal, or Catholic.
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I been through some things but I worked hard to get to where I'm at.
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I feel like I have so many stories basting in my mind, and they come busting out when they're ready.
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The fossil record is incredible when it preserves things, but it's not a complete record.
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Beckett had an unerring light on things, which I much appreciated.
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I'm going to put music out when I feel like it's ready.
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I'm a total hip-hop geek. That's my favorite kind of music to listen to while getting ready.
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There are some seminal things that happened in the '70s for me: Billy Joel and Jackson 5.
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Things have always sort of happened for me. Something else always comes up.
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Love conquers all things except poverty and toothache.
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As long as the plots keep arriving from outer space, I'll go on with my virgins.
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When I went to university in Colorado, I was encouraged to write very innovative, experimental things, and some of the short stories in 'Bearded Ladies' are a little bit experimental.
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I cant look at things in the simple, large way that great poets do.
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Reconciliation requires changes of heart and spirit, as well as social and economic change. It requires symbolic as well as practical action.
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If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.
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The only thing I do is just pray for inspiration, for a way of thinking, because I don't have any particular goal in sight.
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The people from where I grew up have no appreciation for Paleolithic rocks or menstrual calendars. I'm a retriever of lost iconographies. But I had real training and have deep discipline, and I believe in it. Too much of the work I see today is just cultural junk. It's very superficial and has no rigor. It doesn't address the dynamic and real politics of an aesthetic structure.
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I don't let things go unless I'm ready for them to go.
