Collier Schorr Quotes
I made the first 'Blumen' picture after looking at Robert Mapplethorpe's Pictures book. I was struck by how much freedom Mapplethorpe was able to extract from his model's restraint-that in tying up and cropping his models, he appears to be able to work with people as forms. I never thought about my flowers as related to his (which I saw as annoyingly erotic); I thought of them in relationship to bondage. I wanted to make the flowers more aggressive and ironic and less docile and sensual.
Quotes to Explore
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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I used to sit in front of McDonald's and ask people for dollars to get me a cheeseburger. It was bad.
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It's no use of talking unless people understand what you say.
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Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.
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Character is the indelible mark that determines the only true value of all people and all their work.
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It's true what people say - that actors are the closest thing there is to children. They play.
Nastassja Kinski
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I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!'
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I wrote a great deal about the Civil Rights Movement when I was writing for 'The Nation' in the '60s, and also for Esquire magazine. Reading the biography of Coffin, it just reminded me that in those days, when you saw the term 'Christian,' it usually meant people for civil rights and for justice.
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Most of the time, I don't really give people a chance. I have a wall up. I'm always protecting who I am. Thinking about my brand. I make it hard on people. Sometimes, it's a good thing. Sometimes, it's a bad thing.
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What I love about Popsicle and the moments I can be with Camden is that their whole philosophy is family and these moments that it can create to just sit with my son, read a comic book or go outside on a hot day, take a swim and have a Popsicle treat with him.
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As taxpayers, we pay our elected officials to serve the people and protect our state and our interests.
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When you work on a text of a lesser quality, as the interpreter or the delivery person, you are obliged to try to fill it out as you see so many people do in lesser work.
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With Spotify, I think people are discovering a lot of artists they might not discover otherwise.
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The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
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Many people do remember their births, but they deny it.
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I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.
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I think the whole nerves thing comes into play when we worry about what other people and society will think.
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The American people are not just being taxed to death; they're being taxed after death. But, no one should have to sell the life's work of a parent or a loved one just to pay the federal government.
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We tried to just convince big publishers like EA or other people to make games like 'Cloud'... It's just almost impossible.
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My parents were really strict about me not watching cartoons.
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Excellence is the gradual result of always striving to do better.
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Everything is in constant flux on this earth. Nothing keeps the same unchanging shape, and our affections, being attached to things outside us, necessarily change and pass away as they do. Always out ahead of us or lagging behind, they recall a past which is gone or anticipate a future which may never come into being; there is nothing solid there for the heart to attach itself to. Thus our earthly joys are almost without exception the creatures of a moment.
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I made the first 'Blumen' picture after looking at Robert Mapplethorpe's Pictures book. I was struck by how much freedom Mapplethorpe was able to extract from his model's restraint-that in tying up and cropping his models, he appears to be able to work with people as forms. I never thought about my flowers as related to his (which I saw as annoyingly erotic); I thought of them in relationship to bondage. I wanted to make the flowers more aggressive and ironic and less docile and sensual.
