Garry Winogrand Quotes
Quotes to Explore
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For me, it's always been very essential to work on projects that one can work on almost for their entire life.
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When it looks like I may live longer than five minutes I'll drop cigarettes like a hot potato.
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As far as Israel, I am not worried about the relations between Israel and the United States.
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Our universities also have a lot of foreign students. Are we going to ban them access because in their culture there's a certain type of clothing?
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'The Omen,' 'The Exorcist,' those movies for me are the quintessential horror movies that still scare me as an adult.
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I've been making music for a long time, since I was very young, but at the same time, I'm still exploring what works for me. I feel like I'm just starting out.
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You want your coach's blessing.
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Reverence is fatal to literature.
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Working with Bruno Mars would be really awesome. I'm such a fan of his, and I love that he's a real artist.
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I get cast as a lot of sympathetic characters. I'd like to play someone really unpleasant.
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I'm just trying to win games and give my team a chance, win as many as we can week in and week out.
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Our goal is to build this up as a knowledge base that anyone can look at. We're not just interested in people answering their friends' one-off questions.
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I would very much like to become a best-selling author.
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I love sailing but hate cruise ships.
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I said I wanted to strap guns on an El Camino. When I brought it up at a meeting, they said great. I realized there's no adult in the room.
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I was at 260 at Tennessee because I was playing three-technique.
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They cannot divide us by saying that you're middle class or you're lower class.
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When I started at Ricci, I did street wear for very cool, young girls, but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.
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I go out and speak to women's groups all the time, and I say, 'Guys, you gotta laugh and find the humor in things. You gotta pass it on.'
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I thank God for not making me a computer scientist.
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We are faced with the dilemma of how or if we demonstrate where we stand on critical issues and corresponding social ills. We are also bombarded with so many instances of inhumanity that it can be difficult to determine what part we play in human progress.
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It's through working with a lot of first-time directors that I realized that people learn on their feet. Everybody works on something for a different reason. Everybody has got something new to learn on these sets, and you don't have to know everything, the second you start.
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I don't write a whole lot about one person that exists in reality; it's usually characteristics of different people that I combine into a character. I tend to think through and try and make characters behave in a natural way. I follow the character and think about what they would do, what decisions they would make.
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At times people in the press were also useful to me.
