Corey Dillon Quotes
Quotes to Explore
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When the dictators and the opportunists are gone, the cross will still stand before us and something in us will say, 'That is the real thing.'
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I've always liked street lights, and I've always photographed them. I probably have a collection of two to three thousand photographs of them, just around the city, mainly at night.
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I thought 'Garfunkel and Oates' would be too confusing, but it ended up being confusing in the best of ways because the first time we played a comedy club, it was because they thought we were the real Garfunkel and Oates.
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I'm not really a mainstream novelist!
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As with any moderately famous person, footballers are the source of much gossip. In fact, I'd go as far as to say they are targeted. The fun part as their partner is not knowing who, or what, to believe.
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For nearly as long as civilization has existed, patriarchy - enforced through the rights of the firstborn son - has been the organizing principle, with few exceptions.
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In the beginning, I found it hard to give my songs away, but now I've realised it's exciting, and it's only making me better.
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I prefer to say that I am a beautiful person. But the addict is a horrible person.
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The best antidote to poverty remains simple - a paycheck. Policies like paid family leave, workplace flexibility and affordable quality childcare can make the difference for two-parent or single-parent working families who struggle to make ends meet.
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I like to relate to my kids as they are. I enjoy spending that time with them. I see that my girls are so completely different and different from me, too.
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As an illustrator you need to understand the human body - but having looked at and understood nature, you must develop an ability to look away and capture the balance between what you've seen and what you imagine.
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If I was being paid thirty-thousand dollars a year, the very least I could do was hit .400.
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The Devonian and Cornishman will be found by the visitor to be courteous and hospitable. There is no roughness of manner where unspoiled by periodic influx of strangers; he is kindly, tender-hearted, and somewhat suspicious.
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The reason so many people turned up at his funeral is that they wanted to make sure he was dead.
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It's tempting to just write a comic called 'Everyone Mail Randall Munroe Twenty Bucks' - maybe it would work, and I could just close down the 'xkcd' store and sit on a beach and draw pictures and make snarky Reddit posts for the rest of my life.
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I feel like the more I work on different songs and the more I work on my voice constantly... I always feel better after I post a cover. Even if it's doing the little 15 second covers, I'm working on my craft, and it's really good for me, and I feel good after I do it.
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When I know the data that's being shared and I'm asked explicitly for my consent, I want some sites to understand my habits. It helps them suggest books for me to read or movies for my family to watch or friends for us to connect with.
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To me, emails are a little bit frustrating. I think that the telephone is much preferred because you get the sound of the voice and the interest and everything else you can't see in an email.
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I find Hollywood really toxic.
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All the classic jazz players all sang and a lot of 'em sang blues.
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When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
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I'm at the point age-wise where I've decided it's time to pass the baton to people who have several terms in front of them and have the energy and the excitement and the engagement that is necessary to carry it on.
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There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.
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I take (low rushing numbers) personally. That's a reflection on me.
