Courtney Milan (Heidi Bond) Quotes
We’re kissing again, bathed in the light of the streetlamp overhead and the constellations we have yet to name below us. We’re writing our own script. And the light we’re going to build together will drown out every million-year-old star that insists we cannot be.
Quotes to Explore
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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I love writing songs.
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Write every day; never give up; it's supposed to be difficult; try to find some pleasure and reward in the act of writing, because you can't look for praise from editors, readers, or critics. In other words, tips that are much easier to give than to take.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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Writing is agony. I hate it.
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I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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I'm so damn boring. I like reading and writing and making coffee. And walking. Barry Jenkins likes long walks.
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I gave up writing children's books. I wanted to escape from them as I had once wanted to escape from 'Punch': as I have always wanted to escape. In vain.
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Today different ethnic groups and different nations come together due to common sense.
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I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
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The war on terror, if this is a war on terror, can only be won by a sincere regional and international cooperation. All have to believe they have something at stake and work together. In the absence of this it will become political and interest-oriented.
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We don't do things we aren't good at by nature. I wouldn't play basketball because I'm only 5' 1". Find what you enjoy - whether it's racing, flying a helicopter, being a doctor, or stitching clothes together. Once you've done that, you have the passion you need.
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A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
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The community that stands behind a culture as a comprehensively productive personality must be so extensive that in it, to a certain degree, all partialities balance out and work together.
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I like writing strong women, because as a straight male, there's nothing more attractive to me than a strong girl.
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My brother used to say that I wrote faster than he could read. He wrote two books - of poems - better than all mine put together.
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I used to be opposed to collaboration, and that's probably why the music in the past wasn't as good. Writing with other people, especially the great writers that I've had the privilege to write with, it activates something in your mind that you wouldn't use alone.
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I feel like I've made good friends with people I've worked with, but in terms of lasting inspiration, it is probably Matthew Vaughn who directed 'Kingsman' who's been really supportive, loyal to me, and been a really good person to work with.
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Neither liberal nor conservative politicians can resist the temptation to stand as mighty sequoias of rectitude amid the lowly underbrush of fundraising.
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In thinking about miracles, I believe that our frame of reference has been too dramatic. We have been looking for the burning bush, the parting of the sea, the bellowing voice from heaven. Instead we should be looking at the ordinary day-to-day events in our lives for evidence of the miraculous, maintaining at the same time a scientific orientation.
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Most people fail in life because they don't have a plan. Set a goal and write it down. Put it where you can see it every day. Work toward your goals every day.
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We’re kissing again, bathed in the light of the streetlamp overhead and the constellations we have yet to name below us. We’re writing our own script. And the light we’re going to build together will drown out every million-year-old star that insists we cannot be.
