Courtney Milan (Heidi Bond) Quotes
We’re kissing again, bathed in the light of the streetlamp overhead and the constellations we have yet to name below us. We’re writing our own script. And the light we’re going to build together will drown out every million-year-old star that insists we cannot be.

Quotes to Explore
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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I love writing songs.
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Write every day; never give up; it's supposed to be difficult; try to find some pleasure and reward in the act of writing, because you can't look for praise from editors, readers, or critics. In other words, tips that are much easier to give than to take.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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Writing is agony. I hate it.
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I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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I'm so damn boring. I like reading and writing and making coffee. And walking. Barry Jenkins likes long walks.
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I gave up writing children's books. I wanted to escape from them as I had once wanted to escape from 'Punch': as I have always wanted to escape. In vain.
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Today different ethnic groups and different nations come together due to common sense.
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I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
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The war on terror, if this is a war on terror, can only be won by a sincere regional and international cooperation. All have to believe they have something at stake and work together. In the absence of this it will become political and interest-oriented.
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A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
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My brother used to say that I wrote faster than he could read. He wrote two books - of poems - better than all mine put together.
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I used to be opposed to collaboration, and that's probably why the music in the past wasn't as good. Writing with other people, especially the great writers that I've had the privilege to write with, it activates something in your mind that you wouldn't use alone.
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Because my writing time has always been very limited, I try to be very choosy about which stories I work on. There are many ideas that would make interesting stories - too many - so it's important to be ruthless and say no to most of them.
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The single most important thing we had in the Steelers of the '70s was the ability to work together.
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I think there's something beautifully old fashioned about waiting all week then sitting down and watching something on television together. I'm generation box set, accustomed to binging on multiple episodes at a time, which is fun but quite a solitary pursuit because you do it alone.
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Real lobbying reform must end the practice of corporate lobbyists writing our laws.
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A life-long blessing for children is to fill them with warm memories of times together. Happy memories become treasures in the heart to pull out on the tough days of adulthood.
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I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel.
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This is the reality of intensive care: at any point, we are as apt to harm as we are to heal.
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I don't think the schools are getting as much money as they should.
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We’re kissing again, bathed in the light of the streetlamp overhead and the constellations we have yet to name below us. We’re writing our own script. And the light we’re going to build together will drown out every million-year-old star that insists we cannot be.