Courtney Milan (Heidi Bond) Quotes
There was a savagery to his smile, and a darkness in his eyes when he watched her. He was in love with her. And it hurt him.
Quotes to Explore
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I don't try to sugarcoat things, but I also think my books make positive statements about the people and values in small-town America.
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Thankfully, President Obama has stood firmly behind women's health care issues by supporting coverage for contraception and reaffirming commitment to organizations like Planned Parenthood.
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The John Birch Society is not ultra-conservative, communist-hating, and racist as opponents paint it.
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Violence is a big problem. Too many children are dying. Too many children. We must do something.
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I didn't want to just do a show where my character stood out and other characters were flat or one-to-two-dimensional. I wanted everybody to have meat.
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Keeping in touch with the people that matter is important.
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Warwick Davies is a cracking actor. The opening scene in the last 'Harry Potter' film, where he plays a captured Griphook, is mesmerising. His pacing is sublime, and the menace and regret he builds into the scene is fantastic.
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I've always been fascinated by young women who come to New York. The characters in 'Lipstick Jungle' were once young women who came to New York and we see their early experiences through flashbacks.
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It doesn't matter how precisely the onion is cut as long as the person chewing it is happy.
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I've always danced. I've always been around it.
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Can it be fancied that Deity ever vindictivelyMade in his image a mannikin merely to madden it?
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If nowhere else, in the relation between Church and State, 'good fences make good neighbors.'
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...we like somebody who succeeds with such bad conscience, and who seems to wish that he had the nerve to be a failure or, better still, something to which the terms success and failure don’t apply-as when Mallory said, about Everest: 'Success is meaningless here.'
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'One should always be skeptical. That’s always been our problem. We have too many believers.''Believers in what?''In everything.'
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The poem goes form the poet’s gibberish to The gibberish of the vulgate and back again.
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Do you know freedom exists in a school bookDid you know madmen are running our prisons Within a jail Within a gaol Within a white free protestant maelstrom We're perched headlong on the edge of boredom We're reaching for death on the end of a candle We're trying for something that's already found us.
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Nay, if there's room for poets in the worldA little overgrown, (I think there is)Their sole work is to represent the age,Their age, not Charlemagne's, - this live, throbbing age,That brawls, cheats, maddens, calculates, aspires,And spends more passion, more heroic heat,Betwixt the mirrors of its drawing-rooms,Than Roland with his knights, at Roncesvalles.
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Seek Unity and you will find neither Unity nor Truth.Seek the light of truth, and you will find Unity and Truth.
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Say not the struggle nought availeth,The labour and the wounds are vain,The enemy faints not, nor faileth,And as things have been, things remain.
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But my eyes were riveted on a small slim woman her hair simply coiled into her neck, Katherine Glasier.
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I didn't want to write a grown-up account of Gallipoli. I wanted to find out what would happen if I looked at Gallipoli through the eyes of an innocent.
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There was a savagery to his smile, and a darkness in his eyes when he watched her. He was in love with her. And it hurt him.
