Cressida Cowell Quotes
The first Dragon was enough to give you nightmares. The second Dragon was enough to give your nightmares nightmares.
Quotes to Explore
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What the Beatles did was something incredible, it was more than what a band could do. We have to give them respect.
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I write fast. But it takes me a while to get going. It's very important for me to see my whole plot. I have to see the end first because I like a surprise in the end. Which is why I let characters and plot gestate in my mind.
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While many in the social enterprise space often qualify themselves as 'non-profit,' these organizations should instead treat themselves as 'for-purpose.' These organizations should focus on their mission to create social good, while still treating themselves with the same commitment to rigor and discipline as the best for-profits.
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Asking what I'd do without Loopt is almost like asking what I would do if I didn't have a smartphone because the feature set has become the norm for me.
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Accept loss forever.
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Is literature more important than hurting people? You can't argue that. You can't say it. It's impossible.
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Viola Davis is a perfect example of somebody who's so much better than the parts she has the opportunity to play.
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When you're a kid you're already trying to create your own world and organize the one in front of you, but then you get all insecure around 6th grade and don't think you have a right to share that.
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Fathers should be neither seen nor heard. That is the only proper basis for family life.
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Other lands have their vitality in a few, a class, but we have it in the bulk of our people.
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One of the first pieces of advice I was ever given, on my first job was, 'You should always buy something to treat yourself to say, 'Well done for getting the job!'
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It is not the form that dictates the color, but the color that brings out the form.
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There was a time for German stars in the 1950s with Curt Jurgens, Hardy Kruger, O. W. Fischer, and Maria Schell. That was a totally different generation. It all ended in 1968 during the big students' movement in my country. It was an anti-authority movement that changed everything. All my country's hierarchies, morals and values were questioned.
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I really like the collaboration of doing movies and television. But I like the sort of solitary work of doing music.
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I have a degree in European history, which didn't necessarily have any direct impact on my career, but I'm grateful I studied something other than acting in college.
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I miss driving to Goodison Park. I miss just the positive energy of the fans walking into the stadium and how much they care about that club and the team. And I miss the players a lot.
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If you have reason to think that yesterday's forecast went wrong, there is no glory in sticking to it.
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Motley never once sat down and said, 'Well, the music scene's changing. We need to make this record a little darker or heavier musically or lyrically.' It was just four guys sitting in a room like a bunch of 16-year-olds in a garage and jamming on riffs.
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I was a child of a tech family. My grandfather was a nuclear physicist and was always a gadget guy.
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I've done all these historical epics and chivalrous roles, but there's an odder, quirkier side to me that nobody knows about.
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Your outlook upon life, your estimate of yourself, your estimate of your value are largely colored by your environment. Your whole career will be modified, shaped, molded by your surroundings, by the character of the people with whom you come in contact every day.
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The first Dragon was enough to give you nightmares. The second Dragon was enough to give your nightmares nightmares.
