Crosby Loggins Quotes
Quotes to Explore
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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Trust and value your own divinity as well as your connection to nature. Seeing God's work everywhere will be your reward.
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You learn as you grow up, if you're intelligent - or even three-quarter witted - that there's no free lunch. You pay for things in various ways. Living, loving, everything else is a matter of the same principles: you learn to work with what you have.
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There is no reason to suppose that taste is in any way a lower sense than the other four; a fine palate is as much a gift as an eye that discerns beauty or an ear that appreciates and enjoys subtle harmonies of sound, and we are quite right to value the pleasures that all our senses give us and educate their perceptions.
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The implication that women work for pin money and can manage on a worse pension, presumably by relying on husbands, riles. But even more galling for women is that few government ministers seem to even appreciate the value of the work they do.
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Being a press secretary is like learning to type: You're hunting and pecking for a while and then you find yourself doing the touch system and don't realize it. You're speaking for the president without ever having to go to him.
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You don't need money to be free. You can just say if you don't need stuff, you're always free.
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Free love sounds great.
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No, there are no hard and fast rules about sources, no printed booklet to help journalists through.
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I've always been a fan of sci-fi, fantasy, and horror. I like working with larger-than-life characters in fascinating worlds - places where the rules are different.
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I have very long, wild hair, a suntan and wear knee high boots and ignore all the rules about what you should or shouldn't wear at whatever age.
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Generally, I like making my own mistakes and learning from them because that's what I think life is about.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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All the teaching I had ever received had failed to make me apply such intelligence as I was possessed of, directly and vividly: there had never been any sunshine, as regards language, in the earlier grey days of learning, for the sky had always pelted with gerunds and optatives.
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There are no rules to writing a song.
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I have rules for everything.
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Whenever you write for someone else, you're always aware - sometimes overtly, other times at an almost cellular, subliminal level - of the rules about what you can and can't do.
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There are no rules when it comes to love.
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I do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.
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I actually feel like the phrase 'big in Japan' is not appropriate for me. The reason is that there are more people who sympathize with my practice in America than there are domestically in Japan.
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As for catching Osama, it's irrelevant. Things are going swimmingly in Afghanistan.
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YES. I'm slow. This rules.
