Frances McDormand Quotes
My politics are private, but many of my feminist politics cross over into my professional life.
Quotes to Explore
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True economy consists in always making the income exceed the out-go. Wear the old clothes a little longer if necessary; dispense with the new pair of gloves; mend the old dress: live on plainer food if need be; so that, under all circumstances, unless some unforeseen accident occurs, there will be a margin in favor of the income.
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I think that people need an adrenalin rush. Folks need something aspirational; they need to do something that is hard. That's what ignites the imagination.
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I am very lucky I got fans, and I interact with them personally. I know that they have poured their love on me unconditionally, and all I can do is work hard and be kind to them.
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Racism is unacceptable in the real world, and it's unacceptable online.
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When I make a film, I am hoping to reinvent the genre a little bit. I just do it my way. I make my own little Quentin versions of them... I consider myself a student of cinema. It's almost like I am going for my professorship in cinema, and the day I die is the day I graduate. It is a lifelong study.
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We legitimately walked into 'Anthem' head-on, not paying enough attention to internal band tension.
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Instantaneous and mass communication is the mother of mass naivety. Should we then lose hope? Is there any hope? But to lose hope is as dangerous as to nurture false hope. Where then can we find hope that is responsible?
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That's really my goal now. I'm trying to be a positive role model to my kids and to just enjoy this ride, because it's hard. It's hard to enjoy it when you're in it.
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I've been fighting amidst a lot of opposition from both Hillary Clinton as well as some Republicans who wanted to send arms to the allies of ISIS. ISIS rides around in a billion dollars worth of U.S. Humvees. It's a disgrace. We've got to stop - we shouldn't fund our enemies, for goodness sakes.
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Friendship, like the immortality of the soul, is too good to be believed.
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Happiness exists only if you have a lot of people to share it with.
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I think Ali was a fan of mine, even though he never said it. A lot of fighters thought I was pretty good. Nobody every really spoke different on that. But a lot of fighters thought I was good so.
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When I first read 'The River,' I had theories on what it was about, but once we got into rehearsal, I realized it's much simpler: It's about how human beings try to connect. The play holds a mirror up to the audience, and they take from it what's relevant to their lives.
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Wrestling is different to me. As I talk to other wrestlers, wrestling seems a little different to me than it does to a lot of them. To me, it's about an artistic performance and about honing my artistic performance in pursuit of these minute moments of perfection. These little encapsulations. And none of them are ever perfect.
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I enjoyed making this album a lot because of the knowledge we acquired over the last 3 years.
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For me, what I really want to come out of it is to show people that I can hold together a movie, be the number one character and play someone who is twenty or twenty-one.
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I'm generally competing with the ideal I have set for myself, and I've found that served me very well.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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I just want to be great. I want to stand out, be a great leader for this defense, and I'm just trying to leave it all out on the field.
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And still I stood looking at the house, thinking how happy I should be if I lived there with her, and knowing that I never was happy with her, but always miserable.
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English is necessary as at present original works of science are in English. I believe that in two decades times original works of science will start coming out in our languages. Then we can move over like the Japanese.
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I like to make things. It's been part of my identity since I was a kid.
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Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?
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My politics are private, but many of my feminist politics cross over into my professional life.
