Anthony Robbins Quotes
Quotes to Explore
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I never did a dirty armpit. You can look dirty, but you can't be dirty.
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You can really taste the difference between a shop-bought and a good homemade mayo.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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I am a very selfish person.
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One has to be fully committed to one's career. Otherwise, there's no point.
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Jesus Christ was a patriot! His country was the world. His laws were the eternal principles of liberty, and his followers, in every age, have been the chosen champions of freedom!
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Creative output, you know, is just pain. I'm going to be cliche for a minute and say that great art comes from pain.
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Freedom is secured every day by our men and women in uniform. We must build a future worthy of their sacrifice.
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My music is very innovative, in a class by itself. Nobody else is saying anything of value. What I'm trying to do is get people to think, to alter their consciousness. It's not your typical platinum formula for success.
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It's mystifying to me why the House leadership will not allow a straight up-or-down vote on a pay raise. I vote against every pay raise because taxpayers deserve better.
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I had the most magical childhood, running free and going anywhere I wanted to in my head.
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I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
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I am grateful that I'm working, but I also have to say I've worked really, really hard and had to fight a lot.
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I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal.
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I've always been drawn to dark stories. I enjoy reading Flannery O'Connor, Patricia Highsmith, and Margaret Mitchell.
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When my grandchildren are older and my great-grandchildren start growing up, first of all, I want them to be in Israel. I don't want them to leave the country because they have no choice.
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Pure drawing is an abstraction. Drawing and colour are not distinct, everything in nature is coloured.
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My wife is unusually kind and generous, but she's no fool. You don't mess with her.
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My dad, like many Southern men, is this very emotionally expressive person who isn't as articulate in words about his feelings as he is with breaking a chair or something like that.
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I was thinking about what it was like for my parents to have a strange kid with a hobby or a pursuit that maybe they weren't that familiar with. It must have been a strange experience - nerve-wracking, in some ways.
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We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.
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The words that we attach to our experience become our experience.
