Hans-Ulrich Obrist Quotes
Making art is not the matter of a moment, and nor is making an exhibition; curating follows art.
Quotes to Explore
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Art should be an oasis: a place or refuge from the hardness of life.
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
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I love to be in the moment. I love to analyse things a bit.
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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The moment you sense someone is making something because they think people are gonna buy it or like it, it's just so phony! The public has a nose for phony like nobody else.
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For nearly two years, I was flying above the planet with my camera. I knew straight away that this was something important to do, just at this moment, a portrait of the planet for the millennium year. I worked in 80 countries, fighting for money all the time.
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When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting.
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Nothing new here, except my marrying, which to me is a matter of profound wonder.
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Art is the elimination of the unnecessary.
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Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
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Hope is not a matter of age.
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Not for a moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
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I work in the film business, where schmoozing is an art form, lunch hour lasts from 12:30 until 3, and every meeting takes an hour whether there's an hour's worth of business or not.
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The art world is never going to be popular like the NFL, but more people are buying art and I think that's cushioning, to a great extent, our art-market cycles.
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They're not poodles, they're art.
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I think my darkest days were probably when I was catering. I would go to these parties and pass out hors d'oeuvres, and it's like you're invisible. I remember one catering captain told me that all you are is a tray that comes into their space for a moment and then you leave. It was one of the most depressing things I've ever been told.
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I did 125 films, and over 100 television shows, and you've never seen the same character twice.
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I feel that I have such an abundance in my life, and once you've seen how many people suffer and how little it takes for you to actually change their lives for the better, it's hard not to do something.
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There is a profound and ineradicable taint of antisemitism in the British.
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If there is anything worth fearing in the world, it is living in such a way that gives one cause for regret in the end.
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Making art is not the matter of a moment, and nor is making an exhibition; curating follows art.
