Hans-Ulrich Obrist Quotes
Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series.
Quotes to Explore
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We continue to be bullish on China.
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After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
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Throughout my Enterprise career, I have been primarily operationally focused.
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It's a vanity to think that a legitimate shamanistic experience can be purchased.
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I think there is a real misconception about Indian food being super spicy. And I know that's because when you go into an Indian restaurant, it is pretty spicy. But it doesn't have to be. In fact, my husband can't handle a lot of heat. I've had to temper my cooking so that he can eat with me.
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When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
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The pace of television is very different from film.
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I am responsible. Although I may not be able to prevent the worst from happening, I am responsible for my attitude toward the inevitable misfortunes that darken life.
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Israel can't be the only country in the Western world not to have freedom of religion.
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Playing evil is just not interesting. I don't think anyone who does evil stuff thinks they're doing evil stuff. That's the scary part.
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I want to thank all the women who have worn my clothes, the famous and the unknown, who have been so faithful to me and given me so much joy.
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I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
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It has always been a dream of mine to put a play on film.
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I did a B.A. with a major in fine arts and a minor in psychology. I wanted to become a teacher or do art therapy for the elderly. But then I realised I wanted to travel instead.
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I only started playing piano because I had chickenpox when I was about 14 and wasn't allowed to play my drums for a whole week... We had a piano in the house, so I just sat down and played that instead.
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I have no idea what goes on in another person's mind. As a legislator, I need to be good at persuading people, counting votes and getting to 50 percent plus one. I don't go back and say, 'Why did this person get to the right position?' It's only, 'Are you yes or are you no?'
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My motto is that the audience should notice the actors, not the clothes.
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Contemporary architects tend to impose modernity on something. There is a certain concern for history, but it's not very deep.
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In '87, I was about 9 years old, and so at that point I was wearing, like, fluorescent green T-shirts and acid-wash jeans and leg warmers, and my hair was in a ponytail with a scrunchie and I had the teased bangs that were up in a rainbow shape. It was crazy.
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Repercussions are serious and they will take you places.
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The whole consideration of - ... am I being compared as such and such's grandson and son - that was minuscule compared to the problems I was having just working... I didn't have time to start worrying about who I was in the eyes of the public.
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'Trilogy' was more of a claustrophobic body of work. Before it was released, I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life on one setting; that's probably why pieces of the album feel like one long track, because that's what my life felt like. It felt like one long song.
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Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series.
