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I am certainly not a good Muslim. But I am able now to say that I am Muslim; in fact it is a source of happiness to say that I am now inside, and a part of the community whose values have always been closest to my heart.
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I never thought of myself as a writer about religion until a religion came after me.
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All art began as sacred art, you know? I mean, all painting began as religious painting. All writing began as religious writing.
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I can walk into a bookshop and point out a number of books that I find very unattractive in what they say. But it doesn't occur to me to burn the bookshop down. If you don't like a book, read another book. If you start reading a book and you decide you don't like it, nobody is telling you to finish it.
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My first novel - the novel I wrote before 'Midnight's Children' - feels, to me, now, very - I mean, I get embarrassed when I see people reading it. You know, there are some people who, bizarrely, like it. Which I'm, you know, I'm happy for.
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A purpose of our lives is to broaden what we can understand and say and therefore be.
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I've met the Dalai Lama briefly, but I would probably say my grandfather was the wisest person I ever met. He was my mother's father, an Indian, a family doctor, and very unlike me in that he was deeply religious.
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Many writers who have had to deal with the subject of atrocity can't face it head-on.
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It's Kennedy's war, Vietnam. Lyndon Johnson got all the flak, but it's Kennedy's war.
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When you start writing about the stuff that is the central experience of your own life, you can talk about whatever you want, in whatever way you want.
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The problem of telling contemporary history is that your message gets outdated.
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One of the extraordinary things about human events is that the unthinkable becomes thinkable.
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Normally when I read, I don't like music playing.
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The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.
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Have you noticed the physical resemblance between Imran Khan and Gaddafi? If you were making a movie of the life of Gaddafi and you wanted a slightly better-looking version of Gaddafi, you might cast Imran Khan.
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The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That, I think, is valuable.
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All my adult life, if I didn't have several hours a day to sit in a room by myself, I would get antsy and irritable.
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A novel, I think, is partly about the contemporary and partly about the eternal, and it's the balance of that that's difficult to achieve.
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If you actually want to change your world, there is a better way of doing it than blowing yourself up.
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I've never seen anywhere in the world as beautiful as Kashmir. It has something to do with the fact that the valley is very small and the mountains are very big, so you have this miniature countryside surrounded by the Himalayas, and it's just spectacular. And it's true, the people are very beautiful too.
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The thing about literature is that, yes, there are kind of tides of fashion, you know; people come in and out of fashion; writers who are very celebrated fall into, you know, people you know stop reading them, and then it comes back again.
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If Turkey wants to join Europe, it will have to become a European country, and that might take a long time.
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The world is a very abnormal place.