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'The Satanic Verses' was denied the ordinary life of a novel. It became something smaller and uglier: an insult.
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There is no right in the world not to be offended. That right simply doesn’t exist. In a free society, an open society, people have strong opinions, and these opinions very often clash. In a democracy, we have to learn to deal with this. And this is true about novels, it’s true about cartoons, it’s true about all these products.
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You can take the boy out of Bombay; you can't take Bombay out of the boy, you know.
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Nothing is unfilmable.
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If you look at Indian movies, every time they wanted an exotic locale, they would have a dance number in Kashmir. Kashmir was India's fairyland. Indians went there because in a hot country you go to a cold place. People would be entranced by the sight of snow.
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Memory is a way of telling you what's important to you.
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Mo Yan is the Chinese equivalent of the Soviet Russian apparatchik writer Mikhail Sholokhov: a patsy of the regime.
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When I was writing 'The Satanic Verses,' if you had asked me about the phenomenon that we all now know as radical Islam, I wouldn't have had much to say. As recently as the mid-1980s, it didn't seem to be a big deal.
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Writers have an opinion about the world and offer arguments about the world. They should offer contemplation.
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Pakistan is alarmed by the rising Indian influence in Afghanistan, and fears that an Afghanistan cleansed of the Taliban would be an Indian client state, thus sandwiching Pakistan between two hostile countries. The paranoia of Pakistan about India's supposed dark machinations should never be underestimated.
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You want all your books to stick around after you've gone.
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I have been a film buff all my life and believe that the finest cinema is fully the equal of the best novels.
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Dissensions between Muslim nations run at least as deep, if not deeper, than those nations' resentment of the West.
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Free speech is the whole thing, the whole ball game. Free speech is life itself.
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When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
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Chekhov is this poet of melancholy and isolation and of wishing you were somewhere else than where you are.
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If there were Israeli attacks on Iranian nuclear facilities, it makes it certain there would be a reprisal attack against the United States at some point.
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Out-of-step intellectuals like Noam Chomsky and the deceased Edward Said have often been dismissed as crazy extremists, 'anti-American,' and in Mr. Said's case even, absurdly, as apologists for Palestinian 'terrorism.'
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Every time you finish a book, you have a terrible feeling that there's just never going to be another one. But fortunately, so far, the next one has always shown up.
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Sometimes when you finish a book, you don't know quite what you've got.
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The miniatures of the Mughal period are really the pinnacle of Indian artistic achievement. And not a single one of those paintings is done by an individual artist.
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If the culture shifts, if people think differently about women, the art will shift, too. You can't ask art to make social change. It's not what it's for.
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The West was involved in toppling the Mossadegh government. That ultimately led to the Iranian revolution.
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I can walk into a bookshop and point out a number of books that I find very unattractive in what they say. But it doesn't occur to me to burn the bookshop down. If you don't like a book, read another book. If you start reading a book and you decide you don't like it, nobody is telling you to finish it.