Werner Vogels Quotes
Quotes to Explore
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Well I think all I would say on that is, when we were in opposition in Britain and Hawke and then Keating were in power here, Labor was in power here, we learnt a huge amount from the ALP's experience here.
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The main thing I've learned is that we all have to learn to work with - and appreciate - the brain we've been given, and not waste time wishing things were easier.
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I would rather lose in a cause that I know some day will triumph than to triumph in a cause that I know some day will fail.
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What I like to call 'journalism of depth' is the media that regards the collective conscience of the masses to be its point of departure. It is the media that believes, as a matter of principle, in the potential capabilities of the people and respects their choices.
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At school, I always felt the art room was the place where you could sit and talk. It was a place of solace. I wasn't the best artist at school by a long shot; it was more the understanding and the support that came from that room.
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I toured a lot in the U.K. and Europe solo for a lack of funds, really. I left people I'd been playing with for years at home, just because I couldn't afford it.
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If I still had my legs, I would be in line for a battalion command, and instead, I'm flying a desk.
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If I had a gun to my head and I had to choose between theater and film I'd choose theater.
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Meanwhile, fears of universal disaster sank to an all time low over the world.
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I have dangerous bones in my body.
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I think for the last fifteen, twenty years or so, Hollywood has underestimated the appeal of the Western. I think there is still a huge market.
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New York was at the forefront of rap, so because of all the great people who have gone before me, being a rapper from Queens, I have to live up to those standards. I'm basically just a regular guy who says what he feels and likes to joke. I like long walks on the beach... and I love rap.
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There's not an American in this country free until every one of us is free.
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I don't seek validation outside, not even with the audience. Today they like me, but tomorrow they may hate me. I don't want to be anybody's role model.
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There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
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I have employees that are, you know, other types of diversity, coming to me and saying 'Well, why aren't we focused on these other areas as well?' and I said yes, we should focus them, but, you know, the phrase we use internally is, 'If everything is important, then nothing is important.'
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I have no intention of ever writing beauty tips on how to make an African-American nose look slimmer or Asian eyes look bigger. That's degrading. Asian eyes are what's beautiful about you and what makes you different.
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I remember when we did 'Shaun of the Dead,' and when we were trying to get it off the ground in 2001 before we actually made it, a lot of people just didn't want to know.
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I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.
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We learn martial arts as helping weakness. You never fight for people to get hurt. You're always helping people.
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What is all our histories, but God showing himself, shaking and trampling on everything that he has not planted.
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I think that I recall the nostalgic '50s: the start of early television and rock-and-roll, and I think everything seemed to get very generic. Not much has changed.
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I think staying away from labels is what makes my films refreshing.
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Everything fails, all the time.
