Boots Riley (Raymond Lawrence Riley) Quotes
I wanted to write a song about sexism, but I didn't want to do it in a mechanical way and be like, "Don't be sexist!" because that's not how I talk in regular life.
Quotes to Explore
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I wanted to make Canadian films, and I ended up making American films.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.
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On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
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The tough thing about writing is you go into a room alone, you close the door and you do your work.
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I became what I wanted to be.
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Whosoever, in writing a modern history, shall follow truth too near the heels, it may happily strike out his teeth.
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I had a novel in the back of my mind when I won an Ian St James story competition in 1993. At the award ceremony an agent asked me if I was writing a novel. I showed her four or five chapters of what would become 'Behind the Scenes at the Museum' and to my surprise she auctioned them off.
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Music can be such a vulnerable thing, so when you're delivering a vocal or writing a piece of music, it's easy to get sideways.
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If you start off writing an album with a band, the reality is that you're constantly in each other's company, so it's really important that you get on with each other.
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People shout out for songs and I don't even remember writing them.
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And I love writing. I've always loved writing.
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I've had battles with writers who live in L.A. and were writing southern characters, because they felt like if they wrote 'Sugar' and 'Honey' at the end of every sentence, that would make it southern.
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I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
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I'd like to be writing songs for other people - I just like writing songs.
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I love writing with other artists, I really do. Because you can try to guess what they would want to say and how they would sing it.
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I tried writing a novel, but plays were the thing that kept feeding me, asking me to come back, sit down and be with them.
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I've always been in bands writing songs with friends in order to play shows or record a future record.
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Yet I pity the poor wretch, though he's my enemy. He's yoked to an evil delusion, but the same fate could be mine. I see clearly: we who live are all phantoms, fleeing shadows.
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This was our wake-up call.
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Elvis Presley's estate is making 30 million a year, and they say that Marley shouldn't be, but he is from a much poorer part of the world, and a lot more people need the money.
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I'm one of those directors who read reviews, even if they're bad, because I started as a film critic as a cinema student. I indulge in the art of criticism in general.
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I wanted to write a song about sexism, but I didn't want to do it in a mechanical way and be like, "Don't be sexist!" because that's not how I talk in regular life.
