Boots Riley (Raymond Lawrence Riley) Quotes
I wanted to write a song about sexism, but I didn't want to do it in a mechanical way and be like, "Don't be sexist!" because that's not how I talk in regular life.
Quotes to Explore
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I wanted to make Canadian films, and I ended up making American films.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.
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On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
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The tough thing about writing is you go into a room alone, you close the door and you do your work.
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I became what I wanted to be.
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Whosoever, in writing a modern history, shall follow truth too near the heels, it may happily strike out his teeth.
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I had a novel in the back of my mind when I won an Ian St James story competition in 1993. At the award ceremony an agent asked me if I was writing a novel. I showed her four or five chapters of what would become 'Behind the Scenes at the Museum' and to my surprise she auctioned them off.
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Music can be such a vulnerable thing, so when you're delivering a vocal or writing a piece of music, it's easy to get sideways.
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If you start off writing an album with a band, the reality is that you're constantly in each other's company, so it's really important that you get on with each other.
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People shout out for songs and I don't even remember writing them.
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And I love writing. I've always loved writing.
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I've had battles with writers who live in L.A. and were writing southern characters, because they felt like if they wrote 'Sugar' and 'Honey' at the end of every sentence, that would make it southern.
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I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
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I'd like to be writing songs for other people - I just like writing songs.
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I tried writing a novel, but plays were the thing that kept feeding me, asking me to come back, sit down and be with them.
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I love television, and my love for it has made me curious about writing it. It feels like television's moving toward something more novelistic, and that's what I started wanting to do. But I can't say that I'm dying to get notes from a studio. The artistic control that you get as a playwright is worth its weight in gold.
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My life has two modes. One is sitting around writing and contemplating or building things. The other is execution mode. It takes a while to switch from one to the other.
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I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
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Humanizing good people is kind of boring and I don't really see the value in it... humanizing tricky characters is exhilarating, and making audience films out of indie subjects excites me.
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Upsetting the dope is a favorite pastime in baseball. Past performances count for but little in the national pastime. Reputations don't get you anywhere. A club is judged solely on results, and to get results, you must win ball games.
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I'm nearly see-through. Like a jellyfish.
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I wanted to write a song about sexism, but I didn't want to do it in a mechanical way and be like, "Don't be sexist!" because that's not how I talk in regular life.
