Sami Gayle Quotes
I wanted to stay on a career path of the likes of Natalie Portman. I didn't want to be pigeonholed into a certain genre. I sort of believe that slow and steady wins the race.
Quotes to Explore
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It's those damn critics again.
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We are poor, feeble, and blind mortals when the eye of the Almighty looks through all worlds and by his power executes all things aright, and by his grace, he makes us all rich in Heavenly Gifts. In distress and in bereavements, we can look only to him. From mortals like ourselves we can derive no help.
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Do not resist a new idea. Be quietly receptive. Go along with it, even unwillingly at first. Sooner or later, it will reveal itself as your ally.
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You have this ability in hip hop to be invincibly cool, and that is a part of G-Eazy.
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The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
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I've learned that the key is to fight with no pressure.
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We are more casual about qualifying the people we allow to act as advocates in the courtroom than we are about licensing electricians.
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Communicating with teenage girls is easy unless you're an adult, and then it's like having someone take a pair of pliers and, one-by-one, yank off your fingernails through your ears.
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I never thought of myself as a writer about religion until a religion came after me.
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I thought I'd be doing weird, Off Broadway theater after I graduated.
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I'd prefer to be good, but I'm not always. I struggle.
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All true happiness, pure joy, sweet bounties, and unclouded pleasure are contained within the knowledge and love of God.
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Forget the technique. Hit the guy across from you. Don't let somebody come in your space.
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I listen to a lot of different kinds of music, and I feel like I can pull ideas from practically anything. You name it - I'll probably like it.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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I came back to the hood and got in those streets and started doing whatever it took for me to provide.
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The earth is the very quintessence of the human condition.
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I've had a few conversations with people who are horrified: who tell me my work is demeaning, is sexist, is negative.
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I've come up with another formulation about style: that it's essentially a manifestation of a certain habitual set of limitations. It's what a composer does NOT do that defines a style.
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My signature jam is damson or quince, and it's called 'Kate's Sweet and Sticky'. Basically, I'm a domestic goddess.
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With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.
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I'm not interested in seeing dance die. It's not to my advantage. Nor is it to our culture's advantage or anybody else's.
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I wanted to stay on a career path of the likes of Natalie Portman. I didn't want to be pigeonholed into a certain genre. I sort of believe that slow and steady wins the race.
