Edgar Schein Quotes
"What are you working on?” Because Ken was genuinely interested, the pair would end up in a long conversation that would be satisfying both technically and personally. Even when the company had over 100,000
Quotes to Explore
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You got me: I do Pilates. I love Pilates because we do very specific training in soccer for the same six or seven muscles, but we neglect so many other muscles. So when I do Pilates, it helps get all the rest of the muscles in shape and gets them working together.
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I'm more interested in producing than acting.
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Silence is also conversation.
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
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I love working in America, I love being part of the industry out here.
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I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.
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I keep working under the delusion that someday a library will ask for my manuscripts.
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It was really fun working with Jamie Foxx and Cameron Diaz on set.
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I got a job as a human rights and refugees officer, working on youth-based projects. But I realized all the kids I was working with were far more into 'The Daily Show' than the policy briefings.
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I was always active, always running and working out. I was a wrestler and ran track and, out of interest, started boxing. It's always been a part of me.
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I was working for the CIA and prohibited from speaking publicly.
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I prefer working in good cinema, wherever it is. I like subjects that have a universal appeal.
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I've always been comfortable working with women and I've had two happy marriages. Draw what conclusions you like from that.
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I definitely know I'm going to be working a lot more with my foundation when it comes to developing the kids in Jamaica.
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'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
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I will be working with David Lynch when I'm 80.
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What could be better than working with people you love?
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If we have come up with a creative decision and somebody comes up with another idea, you do have to get into the depths of it and ask: "Is it a better idea? Or is it a different idea?" That can be hard. But that's the type of conversation the director and I will have, or as part of our creative groups. So with that in mind, it's hard to keep a budget in line. It's like in life, if you've ever built anything for the first time you're usually better at it the second time.
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My ideal man is faithful, honest, and a gentleman who knows how to treat women.
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The industry in Japan moving toward CGI is not as severe and extreme as in the U.S. The animation industry in the U.S. is firing 2D animators and closing those studios, but I think it's possibly because the national traits of the U.S. prefer super-realism. Since Japan is a country that prefers plane vision, I don't think we will leave 2D and substitute hand-drawing with CGI entirely.
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I think if you make a good movie people walk away arguing.
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Mozart was born Mozart. Charlie Parker was born Charlie Parker.
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"What are you working on?” Because Ken was genuinely interested, the pair would end up in a long conversation that would be satisfying both technically and personally. Even when the company had over 100,000
