Edgar Schein Quotes
"What are you working on?” Because Ken was genuinely interested, the pair would end up in a long conversation that would be satisfying both technically and personally. Even when the company had over 100,000
Quotes to Explore
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I'm more interested in producing than acting.
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Silence is also conversation.
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
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I love working in America, I love being part of the industry out here.
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I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.
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It was really fun working with Jamie Foxx and Cameron Diaz on set.
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I got a job as a human rights and refugees officer, working on youth-based projects. But I realized all the kids I was working with were far more into 'The Daily Show' than the policy briefings.
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I was always active, always running and working out. I was a wrestler and ran track and, out of interest, started boxing. It's always been a part of me.
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I've always been comfortable working with women and I've had two happy marriages. Draw what conclusions you like from that.
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I definitely know I'm going to be working a lot more with my foundation when it comes to developing the kids in Jamaica.
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'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
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I will be working with David Lynch when I'm 80.
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What could be better than working with people you love?
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Really, as long as I am working and have diversity, I am happy.
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All of the guys I know from Jersey held onto this feeling of, 'We're always just working.'
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'Polytechnique' changed everything in my way of working. I became an adult, really, during those five years. I didn't work on anything else but 'Polytechnique.'
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During the course of the seven years I played scenes with an oil slick, I played a scene with a grain of rice. Sometimes with indescribable creatures. I remember having a conversation with something which was simply a smell, that's all. It was part of our job.
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That's a very privileged attitude and I think the ignorance is so strong there. When people say, "Oh please, I don't want to hear that conversation," it's because it makes them uncomfortable." But that's because they think it's all okay. If it was racist, I would move onto someone whose mind I could change, but it's mostly ignorance. So when someone says, "Oh, it doesn't matter," I not only make designers responsible but casting directors and modeling agencies for not pushing those other girls on to the designers.
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I was very laced with drugs myself, but Fred seemed to be even more so than me. That might have had something to do with it. That might have had something to do with nobody wanting to play my records, too, I don't know.
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My son thinks I'm hilarious, but he's only 1.
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People love gentle larceny.
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"What are you working on?” Because Ken was genuinely interested, the pair would end up in a long conversation that would be satisfying both technically and personally. Even when the company had over 100,000
