J. Paul Getty Quotes
Quotes to Explore
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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My mother is the sort of a person who has no boundaries and no filter. She also has a big ego, but it's a very unique one. And I grew up with lots of artists in an environment where conformity and the norm were totally not what anybody was after.
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When I was younger we had a grape arbor, and my mom would go out and pick grapes and make grape jam in the sink - boil it, put it in jars, and give it away as gifts.
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You have got to pay attention, you have got to study and you have to do your homework. You have to score higher than everybody else. Otherwise, there is always somebody there waiting to take your place.
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I have a huge ego and a huge inferiority complex at the same time.
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The advice I would give to someone is to not take anyone's advice.
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No offense to music - thank you for Entertainer of the Year and all that stuff. But if you're a father or a mother, there's nothing that beats being a parent, and that's the best time of my life right there.
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When I'm writing the first draft, I'm writing in a very slovenly way: anything to get the outline of the story on paper.
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I probably went all the way to junior high school before a school doctor told me that I was 'dyslexic.'
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In 1998, I founded the American Center for Law and Justice, probably the premier public interest law firm in America defending the rights of believers.
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I do a lot of TV stuff, but I also turn a lot down - it's got to be an adventure.
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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Now I can walk into a room full of people I don't know and do my job. That's quite a massive thing to learn, I think.
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I am the luckiest novelist in the world. I was a first-time novelist who wasn't awash in rejection slips, whose manuscript didn't disappear in slush piles. I have had a wonderful time.
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My mum is a bit unconventional; she's outdoorsy and has more of an emotional intelligence, whereas my dad is pragmatic; he's a businessman.
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White folks hear the blues come out, but they don't know how it got there.
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I'm a professor of national security studies, and I know a lot more about fighting than Rumsfeld does.
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I was doing acting work at Fox - bit pieces with Greg Peck in The Gunfighter and things like that - and grew up more or less as a Fox contract player in about two years.
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But the truth is that critics are by definition critical. That's their job.
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You get to know them, they get to know you and see if they like you. Then they'll vote on you to become a prospect. You have to be sponsored by a Hells Angel.
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Capitalism is the only system where such men are free to function and where progress is accompanied, not by forced privations, but by a constant rise in the general level of prosperity, of consumption and of enjoyment of life.
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The way I grew up, I was always taught that it's uncouth to talk about money, and that's not what should inspire you.
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All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up.
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I was brought up in an era when thrift was still considered a virtue.
